In its second season, HBO’s SUCCESSION found an exquisite middle ground between Dallas and Shakespeare.  The show is still a somewhat rareified taste–it’s routinely been the lowest-rated show in the network’s current Sunday line-up–but as evidenced by its surprise writing Emmy a few weeks ago, its quality is recognized. The Season 2 finale, written […]

In its second season, John Logan’s gothic horror mash-up PENNY DREADFUL remained an elaborate conceit that pays off only from time to time.  Logan has gathered together a host of characters for his saga.  Some hail from classics of the genre:  Victor Frankenstein (Harry Treadaway), his Monster (Rory Kinnear), and the latter’s intended Bride (Billie […]

  THAT AWKWARD MOMENT:  Watch It At Home – Low-Impact Rom-Com If you heard that a new indie movie featured the stars of the past 2 years’ back-to-back Sundance sensations, Michael B. Jordan from 2013’s Fruitvale Station and Miles Teller from this year’s Whiplash, would you be intrigued? What if Zac Efron was the other […]

    Not Even For Free   Remember Ken Russell’s movie of The Who’s Tommy?  The scene where Ann-Margret’s nervous breakdown was visualized by her television set vomiting out baked beans, chocolate and similar goo?  Watching Zach Snyder’s SUCKER PUNCH is like having that TV on permanent DVR.

  HUNTERS:  Monday 10PM on Syfy – If Nothing Else Is On… HUNTERS has production values that suggest it’s intended as one of Syfy’s more A-level entries (it’s shot in Australia rather than Canada), but mostly its premiere hits B-movie beats.  Created by veteran TV writer/producer Natalie Chaidez, whose credits include everything from Heroes and […]

  REVOLUTION was sort of a sad story.  The lights-are-out sci-fi adventure was NBC’s top priority in Fall 2012, promoted like crazy and given the network’s prized post-The Voice timeslot.  At first the show looked like the hit NBC desperately needed, but once it started dropping in late fall it didn’t stop, and by the […]

  WHAT WE DO IN THE SHADOWS:  Wednesday 10PM on FX The deadpan vampire mockumentary cult hit WHAT WE DO IN THE SHADOWS is the latest piece of IP to find eternal–or at least extended–life on the small screen.  In some ways, it seems like that was where it belonged all along, since the format […]

  THE FAREWELL (A24):  Lulu Wang’s The Farewell is what could be called Sundance Classic, a small, very personal film nurtured by the festival into wide enough attention that A24 paid $6M to release it.  It’s based on Wang’s own life, so much so that it would be a spoiler to reveal the caption to […]