> Disclaimer:  Network pilots now in circulation are not necessarily in the form that will air in the Fall.  Pilots are often reedited and rescored, and in some cases even recast or reshot.  So these critiques shouldn’t be taken as full TV pilot reviews, but rather as a guide to the general style and content […]

  THE FOSTERS:  Monday 9PM on ABCFamily THE FOSTERS ended its first season on a near tidal wave of melodrama, and along the way it lost a great deal of the modest charm and believable emotions that had made it work in the first place.  Although tonight’s Season 2 premiere picked up on those storylines, […]

  A film festival is certainly the place for a feature-length semi-linear flow of unscripted dialogue and bizarre imagery if anywhere is, so welcome to UNDER THE SKIN.  The writer/director Jonathan Glazer has gradually been transforming into an abstract filmmaker:  he started with Sexy Beast, which was a fairly traditional narrative, then followed it with Birth, a piece […]

  After two full seasons, it’s become clear that Mindy Kaling’s THE MINDY PROJECT may never be a “well-made show.”  Characters pop in and out–it was recently announced that receptionist Betsy (Zoe Jarman) is the latest regular who won’t be back in the fall–or they change randomly–was it ever clear why Jeremy (Ed Weeks) needed […]

  TRANCE:  Watch It At Home – Tricky But Unsatisfying Thriller From Danny Boyle TRANCE is both extremely clever and remarkably stupid.  I wish I could explain exactly how, but Danny Boyle’s thriller, written by John Hodge and Joe Ahearne, has the kind of story that piles reversals on twists on reveals, so there’s not […]

> Worth a ticket. The director and writer of Saw, James Wan and Leigh Whannell, combine again to bring us–hey, where are you going?  No, seriously:  don’t run away.  Leaving aside that Saw is rather unfairly maligned (before it became the poster child for “torture porn” and a dumb sequel machine for Lionsgate, the original […]

  The second half of BUNHEADS‘s first (and potentially only) season seemed designed to drive even fans of Amy Sherman-Palladino a little crazy.  The auteur delights in having her characters dance on the head of conversational pins, and if her non-stop dialogue is to be more than mere verbal choreography, it’s critical that the scenes […]

  A lot can happen between the creation of a TV pilot in the spring and the production of episodes for the regular season: a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have had their own turnover) give plenty of notes, helpful and otherwise, and critics begin to […]