RAY DONOVAN:  Sunday 9PM on Showtime On the occasion of its 6th season, Showtime’s RAY DONOVAN has relocated across the country to New York, and the surprise is that although the series has always been very LA-intensive, both in storylines and use of locations, there’s very little difference in the final product.  Ray (Liev […]

> Disclaimer:  Network pilots now in circulation are not necessarily in the form that will air in the Fall.  Pilots are often reedited and rescored, and in some cases even recast or reshot.  So these critiques shouldn’t be taken as full reviews, but rather as a guide to the general style and content of the […]

  REVENGE, in its second season, demonstrates the perils of stretching a good thing too far.  (Also being stretched:  ABC’s concept of a “fall finale,” since unlike shows like Revolution and The Walking Dead that won’t be returning until February or March, Revenge will be back after the holidays.) Revenge started with a premise that […]

  If Netflix is going to be the 21st-century version of a “network,” its content will eventually have to include all sorts of genres–and the quality, inevitably, will vary as well.  There may be high-class, award-caliber dramas like House of Cards, but there will also be crap. HEMLOCK GROVE is the crap. Horribly written (Hours […]

  SMASH:  Tuesday 10PM on NBC The intermission that began last May is over, and what SMASH desperately wants you to know isn’t just a second season but a full-fledged Version 2.0 kicks off with the self-aware lyric “I know I’ve kept you waiting/I know I’ve made you mad.”  In an attempt to get the […]

> Previously… On ARE YOU THERE, CHELSEA?:  “Chelsea Newman,” aka the fictionalized Chelsea Handler (Laura Prepon) works in a New Jersey sports bar, knocking back drinks and men, and trading barbs with co-workers and family alike. Episode 2:  If it weren’t for hour-mate Whitney, Chelsea might be the least sexy show ever to be obsessed […]

  This was, for the most part, a solid rebuilding season for TRUE BLOOD.  The show survived a replacement in showrunners when series creator Alan Ball stepped down after 5 years–and then a replacement of that replacement–with show veteran Brian Buckner ultimately taking over.  Under his direction, the series took a smart step or two […]

  In this new era of serialized television drama, plot–and the skill with which it’s doled out–is more important than ever.  An overall clumsiness with the handling of its storylines is what’s held back Lifetime’s WITCHES OF EAST END from being more than a pleasant diversion, and tonight’s season finale was sadly no exception.  The […]