If the first season of THE FOLLOWING stands for anything, it’s that the significant difference between the best cable dramas and the vast majority of their network counterparts hasn’t been about the ability to depict extreme violence.  The Following was as relentlessly violent as anything this side of The Walking Dead (and much more […]

  REVOLUTION was sort of a sad story.  The lights-are-out sci-fi adventure was NBC’s top priority in Fall 2012, promoted like crazy and given the network’s prized post-The Voice timeslot.  At first the show looked like the hit NBC desperately needed, but once it started dropping in late fall it didn’t stop, and by the […]

  Replacing a show’s creator with a new showrunner isn’t the preferred way for a series to proceed, but the change did some good for Season 3 of RAY DONOVAN, although tonight’s season finale didn’t necessarily showcase that fact.  it wouldn’t exactly be accurate to say that David Hollander, taking over for creator Ann Biderman, […]

    The Season 2 finale for CW’s NIKITA was probably shot with the idea that it could well be the series finale–and logically it should have been, considering the show’s ratings.  In recent weeks, Nikita has had a 0.4 rating in 18-49s, making it what has to be one of the lowest-watched shows ever […]

> The title “Best Drama On Network Television” used to mean a lot more than it does these days (what’s the competition?  Parenthood has lovely moments but also its share of contrivances; Fringe and The Vampire Diaries are terrific niche shows), but for whatever it’s still worth, THE GOOD WIFE continues to own the crown.   […]

  Throughout its first season, COPPER has almost never been as vivid as it seemed like it should be.  The show’s premise and auspices were promising:  the lead producers were Barry Levinson and Tom Fontana, who apart from their illustrious solo credits, had combined as a team for the seminal cop show Homicide:  Life On […]

  The second season of Lena Dunham’s GIRLS has been as polarizing as anything on TV since the conclusion of Lost; with its relatively low viewership, it’s sometimes felt as though literally every person who watches the show has been writing about it.  The season finale, written by Dunham with fellow Executive Producer Judd Apatow […]

  Heroes probably still sets the bar for disastrous second seasons of initially enjoyable TV shows, but this year’s REVENGE came uncomfortably close.  ABC more or less acknowledged that fact when it (in a genteel, corporate way) fired series creator and showrunner till now Mike Kelley from the upcoming Season 3 (fellow Executive Producer Sunil […]