TURN seemed to have its finger on a fascinating footnote to American history, telling the story of colonial undercover spies during the Revolutionary War under the direction of George Washington, but it’s never succeeded in coming to life.  Craig Silverstein’s series offered oddly little spycraft in the course of its season, and the plotting […]

  No, honestly:  what the hell was that? All snark aside, it was admirable and really long past due for USA Network to try to get out of the “characters welcome,” franchise-centric box it had put itself into.  When people start using the phrase “well, it was sort of like a USA show” as disparagement, […]

In its second season, John Logan’s gothic horror mash-up PENNY DREADFUL remained an elaborate conceit that pays off only from time to time.  Logan has gathered together a host of characters for his saga.  Some hail from classics of the genre:  Victor Frankenstein (Harry Treadaway), his Monster (Rory Kinnear), and the latter’s intended Bride (Billie […]

  In its second season, MTV’s FINDING CARTER made a disappointingly dim argument for sustaining itself beyond its initial premise.  The series remains well-acted, and it has its emotionally pursuasive moments, but its season was swallowed up by plot contrivances and melodrama. Melodrama has always been part of Finding Carter‘s DNA.  It began with the […]

  THE AMERICANS isn’t a show that indulges in many meta moments, but late in this Season 4 it gave one to Matthew Beeman (Daniel Flaherty), son of FBI agent Stan (Noah Emmerich), in one of his unwitting conversations with neighbor and incipient romantic interest Paige Jennings (Holly Taylor), the daughter of deep-cover Soviet spies […]

  Although Claire Danes and Mandy Patinkin are still present to provide a continuing center of gravity, the HOMELAND that concluded its sixth season tonight is almost unrecognizable from the one that premiered in 2011.  That series was a dazzling mix of doomed romance and psychological spy thriller, about a bipolar CIA agent who couldn’t […]

  Although the ratings continued heading downward, there were heartening developments in the back half of THE WALKING DEAD‘s Season 9.  Under new showrunner Angela Kang, the show took some steps to jar itself loose from the rut it gotten itself into.  The departure of star Andrew Lincoln may have kick-started the need to explore […]

      With the spring decline of New Girl‘s ratings, 2 BROKE GIRLS became the only remaining breakout comedy hit of the 2011/12 broadcast season.  The truth is, it’s still not all that good.  Tonight’s season finale, written by co-creator/showrunner Michael Patrick King (the other co-creator, Whitney Cummings, famously had to drop down to […]