The ratings for BALLERS have more than justified its renewal by HBO, but the pieces of the series have yet to fit together.  Most of the show’s creative team hails from Entourage, and Ballers embraces the same bimbos-and-bling lifestyle porn and breezy pace, but having Dwayne Johnson as its central attraction has proved to […]

  How on earth is NBC going to bring back AQUARIUS next season?  In the history of broadcast television, it may well be the lowest-rated series ever renewed by a major network, with viewership so abysmal that the show couldn’t sustain a normal summer run and had to be pushed to the netherworld of Saturdays.  […]

  KILLJOYS is, along with Dark Matter, one of the ultra-cheap scripted pieces that Syfy runs on Friday nights.  (Defiance, which airs with them, is a somewhat more ambitious enterprise.)  The grubby aesthetics of the two Canadian imports are so similar that it’s no surprise there’s been talk about a crossover between their universes–assuming both are […]

  THE ASTRONAUT WIVES CLUB never achieved much in the way of lift-off, and although ABC knew it was coming–there was a reason it was pushed to a summer run as the lead-in to Mistresses–the show’s flat quality must have initially taken the network by surprise.  On paper, the show seemed like it was exactly […]

  HUMANS packed more punch than its compendium of post-Blade Runner tropes initially suggested, but those strengths weren’t altogether reflected in tonight’s season finale.  At its best, Humans told the story of two troubled families, one human and one a group of illicitly sentient “synths,” and followed the members of each, through the course of […]

  In its second season, Courtney Kemp Agboh’s POWER solidified its position as Starz’s biggest original hit, and it was a considerably better drama, too.  Partly that was because of Season 1’s weird structure, which played as 8 hours of prologue because the show’s two protagonists, drug trafficker Jamie “Ghost” St. Patrick (Omari Hardwick) and […]

  You have to feel a little sorry for COMPLICATIONS, introduced by USA Network during the same summer that the network unveiled Mr. Robot, a game-changer that may be the most exciting new show of the year on any network.  Complications, by comparison, felt like the last act of a dying old programming regime–specifically, the […]

  The idea of applying a deep coat of existential angst to thriller conventions isn’t new–every Sundance Film Festival has at least a couple of examples of the sub-genre, and there are even sub-sub-genres of the form, like Thomas Pynchon’s Inherent Vice and Bleeding Edge, which add surreal humor to the mix.  With 8+ hours […]