One of the many ways in which broadcast networks have started to resemble their cable counterparts is in the structure of a series season. For years, cable has aired its shows, especially serialized series, in clearly-defined, repeat-free mini-seasons, with different programming in those slots during hiatus periods, rather than following the historical broadcast model […]
It may not be fair, but it’s awfully hard not to compare the second seasons of KILLING EVE directly with HBO’s Barry, since both were comedies-with-drama/dramas-with-comedy about hired killers that aired on virtually the same Sunday nights. Many of us watched the latest installments of each series in the span of the same few hours. […]
The existence of the strikingly similar (in premise) Stitchers provides some perspective on the imagination and skill that’s gone into IZOMBIE. Both shows involve young women who temporarily enter the minds of the recently dead to solve their murders, but iZombie is put together with consistent wit, intelligence and a strong sense of character. […]
The second season of NBC’s GRIMM was considerably more satisfying than its first, although it did show the strain of trying to establish a series mythology. The season’s final episode (really, last week’s hour and this one formed a cohesive 2-hour finale), written by series co-creators David Greenwalt and Jim Kouf, and directed by […]
There was remarkably little rust on Shonda Rhimes’s GREY’S ANATOMY in its 14th season. The series, now under the showrunning stewardship of longtime writer/producer Krista Vernoff (Rhimes herself is leaving ABC Studios for Netflix, but will continue to be in uber-charge), smoothly balanced its huge cast of regulars and recurring characters through 24 episodes […]
Starz’s SURVIVOR’S REMORSE took some confident steps forward in its second season, even if that wasn’t reflected in the lackluster ratings. Season 1 was mostly content with being a sports-driven Entourage clone (a position now occupied by HBO’s Ballers) about basketball star Cam Calloway (Jessie T. Usher) and his family basking in free agency […]
The problem with making a show about someone dying of cancer is that no one really wants to watch a show about someone dying of cancer. Viewers will roll along with the dark and disturbing, but by and large they draw the line at bleak and depressing. So Walter White, on Breaking Bad, hasn’t had […]
FARGO was great television of a kind we’ve never really seen before. Neither a prequel nor a sequel nor a remake, not even a true spin-off, this was more like a reincarnation of the Coen Brothers’ classic movie, as though the writer Noah Hawley had allowed himself to be inhabited by the filmmakers’ idiosyncratic […]