BURN NOTICE went heavy on action for its final hour, attempting to look like a more expensive show than it actually ever was.  Burn was never a well-respected series (it was memorably ridiculed in an SNL skit as a hit no one knew anything about), with inch-deep plots and characterizations that hardly budged in the 7 seasons it […]

  From the viewpoint of its newly-concluded third season, the first 2 years of Starz’s BLACK SAILS feel like a very long and somewhat misguided prologue to where the series is now.  With Michael Bay as its leading Executive Producer, Black Sails was presented as a yarn of 18th century sea piracy, built around the […]

  Season 1 of CW’s THE 100 worked better than logic suggested it should, considering that it was basically a thrift shop of plotlines and tropes from other, more ambitious fantasies, some aimed at teens (The Hunger Games, Lord of the Flies), some not (Lost, Battlestar Galactica).  The post-apocalyptic survival stories moved briskly, sparked by […]

  THE ORIGINALS has some recurring problems.  For one thing, since its antihero family the Mikaelsons are ageless supernaturals who emigrated to the US over the centuries, their foes–and even the family members who turn up from time to time, sometimes in new bodies–tend to be interchangeable Eurotrash.  It took effort this season to remember […]

  What kind of show, in the end, is HOMELAND?  Focus groups are often asked simply to describe whatever it is they’ve just seen, and Homeland has tried to be a romance, a thriller, an action adventure, a story about politics and terrorism, a psychological drama, and more–all at once.  That it’s succeeded much of […]

Tonight’s season finale of Lifetime’s very softcore (so soft it’s basically liquid) prostitution hit THE CLIENT LIST was more guilty than pleasure.  The hour, written by Producer Barbara Nance (from a story by Nance and star Jennifer Love Hewitt) and directed by Hewitt herself, was actually quite bewildering.  After last week’s climactic bombshell of Riley’s […]

  The biters and the Governor took their toll on the humans who remained in Season 3 of THE WALKING DEAD, but the show’s potentially most damaging casualty may have been at AMC’s own hand, when it decided to get rid of showrunner Glen Mazzara, for reasons neither side has disclosed or–remarkably–even leaked.  His season […]

  FX’s just-concluded third season of Noah Hawley’s FARGO was its most divisive, and the criticisms came from a number of directions.  One segment was simply done with Hawley’s theme-and variations approach to the Coen Brothers’ original film, in which each season tells a new story, but one that always features a disruptive representative of […]