At what point does unconventional storytelling become perversity for its own sake, a collection of curlicued narratives that operate like the showrunner version of The Emperor’s New Clothes?  It’s a question that came up often in connection with Damon Lindelof’s Lost, especially toward the end of its ultimately frustrating run, and even though THE […]

  Showtime’s HOUSE OF LIES was a bit more ambitious in its second season, and that was a good move, even if the results were uneven.  In its initial season, House was all too clearly a companion piece for Californication, a weekly half-hour of light, sexy satire around the consulting group campfire, with Don Cheadle’s […]

  In their teardown season as new showrunners of FEAR THE WALKING DEAD, Andrew Chambliss and Ian Goldberg didn’t solve all the problems inherent in the franchise, and the season was uneven, only partly for reasons of transition.  Still, they accomplished a lot, more or less creating a new series from the one that had […]

  One never knows, but the rebranding of its network probably doesn’t bode well for RECOVERY ROAD.  The recently-renamed Freeform, which has over the last few months canceled Chasing Life and Switched At Birth, while renewing Stitchers and Shadowhunters, seems to be moving in the direction of heroine-led fantasy-adventures and procedurals, rather than the YA […]

  RAY DONOVAN had an odd, misshapen Season 5, bleak even by its own depressed standards.  It was perhaps best viewed as a long runway to Season 6, which will by necessity involve something of a reboot, since Showtime has announced that the series is relocating to New York.  The show thus far has been […]

  USA’s THE SINNER was a genuine if moderate sleeper of this summer’s TV season, not a breakout hit but consistently rating ahead of its lead-in, the veteran Suits, and it’s not entirely clear why.  The show marked the return to TV of Jessica Biel, playing the seemingly ordinary Cora Tannetti, who committed a violent […]

  After three sets of series creators and two pilots, THE CATCH certainly zeroed in on its inspirations:  To Catch A Thief plus The Thomas Crown Affair, with a touch of Soderbergh’s version of Ocean’s Eleven.  The Catch longs for fizzy romantic intrigue, with light (but opulent) crime stirred alongside flirtatious banter between glamorous people, […]

  Before the final 2 weeks of its run, the word no one would ever have dreamed of attaching to TRUE BLOOD was “subdued”; it was the guilty pleasure HBO series that was loaded with sex and violence and got great ratings, but without the class of, say, Game of Thrones, and with no serious […]