CW’s THE 100 has set its bar fairly high fover the years, and on those terms, Season 5 wasn’t quite up to par. The central crisis–our protagonists had to face off against a pack of vicious thawed-out convicts–was uncomfortably close to a Direct-to-VOD premise, and the climactic arrival of yet another nuclear holocaust struck […]
Did we really need THE FLASH to go dark? What had been the peppiest of CW’s DC/Berlanti-verse shows spent its 3rd season marked by existential angst, 22 episodes of Barry Allen’s (Grant Gustin) penance for having created “Flashpoint,” a parallel timeline where his mother and father survived. Even after Barry reversed reality more or […]
BONNIE & CLYDE saved its most idiotic inspiration for the end. Up until its last few minutes, the second half of the Lifetime/A&E/History miniseries was perhaps marginally better than its first (which we dealt with in yesterday’s review). There was less chatty posthumous narration from Clyde (Emile Hirsch) this time around, a greater role […]
Something nagged at the first two seasons of CRAZY EX-GIRLFRIEND, and it’s right there in the title. Rebecca Bunch (series co-creator Rachel Bloom) was lovable and hilarious, but she was also, well, unhinged. Bloom and co-creator Aline Brosh McKenna largely played Rebecca’s manipulations and stalking, and the damage she did to other people’s lives […]
The second season of Starz’s OUTLANDER was often disconcerting for a viewer unfamiliar with Diana Gabaldon’s bestselling novels. That may be one reason why the series, embraced by Starz (along with the hit Power) as one of its signature properties, and gifted with a 2-season renewal order, didn’t fare particularly well in the ratings […]
One of the reasons “locked room” mysteries appeal to producers is that they require limited production values, and for what amounted to half its initial season, DARK MATTER tried to make up for its inadequate budget by being a locked spaceship mystery, with chunks of its content taking place on the dimly-lit, far from detailed sets […]
Last year FX gave THE AMERICANS showrunners Joel Fields and Joe Weisberg a final 2-season order, and from the vantage point of Season 5’s finale, it seems clear that they’ve approached this stretch as a single 23-episode arc, broken more or less in half by a year’s break. Season 5 was not, in itself, […]
As this new era of television drama has developed, people have talked wistfully about the broadcast networks airing shows with the distinctiveness and stylization (and darkness) we now associate with cable, but really that show already exists, and it’s NBC’s HANNIBAL. It may very well be the damnedest thing to appear on one of […]