Will THE GOOD WIFE be remembered as the last great broadcast network drama?  It’s impossible to know for sure, but it seems like a good bet.  Other shows will make the attempt, of course:  ABC’s American Crime, which may or may not return for a 3rd season, has been filled with ambition, even if […]

  HBO’s RUN turned out to be a treatise on the limitations of the elevator pitch.  Everything about the show that could be described between the lobby of an office building and, say, its 20th floor (let’s assume the occupants were socially distanced) seemed irresistible.  The premise:  a pair of onetime lovers follow through on […]

  For a while there, it seemed as though the finale of GRIMM was on a crusade to make sure the show could never be rebooted, massacring almost the entire regular cast one by one, which in an age where IP is more important than anything else would have been a fairly brave move.  But […]

  STATE OF AFFAIRS ended its season tonight with a cliffhanger that will almost certainly remain unresolved, although one might speculate whether the mysterious airstrike that was heading toward Charleston Tucker (Katherine Heigl) in Afghanistan might have been sent not by Victor Gantry (Adam Arkin), the perfidious head of a paramilitary conglomerate or President Constance […]

  Even by the standards of current network TV, the ratings drop for SCANDAL has been steep and swift.  It’s down 50% from where it was 2 seasons ago, and down 30% this season.  It’s still one of ABC’s higher-rated hours, because it had been so huge at its peak, so its renewal was never […]

  ARROW had a somewhat unsuper fourth season.  That was partly due to its villain:  Damien Darhk, however enthusiastically played by Neal McDonough, was an all-smirk-all-the-time Big Bad in dapper suits, a Bond-ish villain whose added dimension of magic was very sub-Darth Vader, with much flicking of the wrist to send foes flying into nearby […]

  David Simon is unquestionably a pivotal figure in the history of contemporary TV, yet he’s never been associated with a mainstream hit.  From Homicide: Life On The Street to The Wire to Treme to Show Me A Hero, his work has been critically praised and sometimes honored, but viewers haven’t flocked to them on […]

  Over the course of its season, NBC’s SHADES OF BLUE muddled its way from being a broadcast network-lite version of a gritty cable cop drama to a more conventional heist thriller.  It was flawed in both contexts, but more able to carry its weight as the latter. The series, created by Adi Hasak, was […]