Throughout its first season, COPPER has almost never been as vivid as it seemed like it should be.  The show’s premise and auspices were promising:  the lead producers were Barry Levinson and Tom Fontana, who apart from their illustrious solo credits, had combined as a team for the seminal cop show Homicide:  Life On […]

  Anyone who saw the ONCE UPON A TIME pilot and thought the series would be worth watching only “if nothing else is on” would surely have to be an idiot–and in this case, that idiot was me.  I couldn’t see how the conceit of a show that intercut between a fairy tale kingdom and […]

  KING & MAXWELL isn’t the kind of show you’d particularly expect to see evolve between its premiere and season finale, and in fact it didn’t.  That’s too bad, because the TNT series, developed by Shane Brennan and based on characters created by novelist David Baldacci, was badly in need of improvement.  It may be […]

  The failures of HOSTAGES were many, and they separate into two dimensions.  One–the more important to CBS–was commercial; the show proved to be dead in the water from the night it premiered against the launch of The Blacklist.  Despite a summer of heavy promotion, NBC and James Spader wiped the floor with Hostages, and […]

  In its second season, THE AMERICANS continued to be a expertly crafted saga of betrayals, both political and personal.  Tonight’s chilling season finale, written by series creator Joe Weisberg and his co-showrunner Joel Fields, and directed by Daniel Sackheim, brought all its themes together brilliantly, and set the stage for what should be an […]

  By the time it reaches four seasons on the air, even a first-rate show can find it difficult to sustain its initial burst of energy and creativity, and the same holds true on the other side of the Atlantic as well, as this year’s helping of Julian Fellowes’ DOWNTON ABBEY confirmed.  The show was […]

  The fourth season of NBC’s THIS IS US wasn’t a standout, relatively speaking, which in a way made the expertise of its execution more clear.  Even when it’s in second gear, Dan Fogelman’s series is constructed and acted so well that it holds its grip on viewers quite well  (This Is Us looked particularly […]

  There was remarkably little rust on Shonda Rhimes’s GREY’S ANATOMY in its 14th season.  The series, now under the showrunning stewardship of longtime writer/producer Krista Vernoff (Rhimes herself is leaving ABC Studios for Netflix, but will continue to be in uber-charge), smoothly balanced its huge cast of regulars and recurring characters through 24 episodes […]