After last week’s tumultuous, spectacular battle of Blackpool, tonight’s Season 2 finale of GAME OF THRONES was, necessarily, somewhat lower-key.  It served more as a coda, and as a transition to Season 3 (considering that there was no attempt at closure in any of the stories, it’s a good thing that […]

  OUTLANDER overcame a shaky conceptual start to become a thoroughly compelling historical romance, and probably the best original series Starz has aired thus far.  There’s still something fundamentally odd about the fact that the underlying plot gimmick, the trip in time that heroine Claire (Caitriona Balfe) has taken from 1945 Scotland to 1743, has […]

  Season 1 of CW’s THE 100 worked better than logic suggested it should, considering that it was basically a thrift shop of plotlines and tropes from other, more ambitious fantasies, some aimed at teens (The Hunger Games, Lord of the Flies), some not (Lost, Battlestar Galactica).  The post-apocalyptic survival stories moved briskly, sparked by […]

  THE MINDY PROJECT has spent much of its first season shambling toward what kind of show it wants to be, but its struggles have become progressively more entertaining to watch. Mindy started with an enormous amount of good will, thanks to its creator/star Mindy Kaling, the terrifically talented writer, comic and co-star of The […]

  The fourth and final season of Cinemax’s BANSHEE felt more like an epilogue, or even a spin-off, than a climax.  It wasn’t the time jump between Seasons 3 and 4, or the shortened 8-episode order, or even the physical relocation from North Carolina to Pennsylvania (for tax credit reasons).  The focus, the center of […]

  A weaker show than HOW TO GET AWAY WITH MURDER would be crippled by its sizable flaws.  With the all-important exception of its central character, Philadelphia law professor and expert criminal lawyer Annalise Keating, and Viola Davis, the richly talented actress who plays her, the rest of the characters and cast are bland to […]

  FRANKLIN & BASH made a few cosmetic changes for its third summer on TNT, but nothing to disrupt the show’s basic air of genial dishevelment.  The most high-profile move was bringing in Heather Locklear as new senior partner Rachel King in the show’s law firm of Infeld Daniels King, although once it had her, […]

  Showtime’s BILLIONS has cultivated one of the most recognizable signatures on television, from its rudely epigrammatic dialogue, to its love/hate relationship with its ruthless, narcissistic characters, to its very narrative devices.  Tonight’s Season 4 finale, written by series co-creators David Levien and Brian Koppelman and directed by experienced Billions hand Colin Bucksey, was precisely […]