Posts Tagged ‘2013-14 TV season’
 

 

THE SKED Pilot + 1 Review: “The Crazy Ones”

  THE CRAZY ONES:  Thursday 9PM on CBS Previously… on THE CRAZY ONES:  Simon Roberts (Robin Williams), a genuine mad man and an advertising legend, and his more practical daughter Sydney (Sarah Michelle Gellar), ru...
by Mitch Salem
 

 
 

THE SKED: Decision Day at CBS, FOX and NBC

  With most of another week’s ratings in the books, CBS, FOX and NBC took care of business today–although the first two networks handed out promotions while the Peacock issued pink slips. CBS gave back orders t...
by Mitch Salem
 

 

 

THE SKED Premiere Review: “Rosemary’s Baby” (Part 1)

  No one could seriously imagine that the TV remake of ROSEMARY’S BABY would come close to Roman Polanski’s 1968 masterpiece, so let’s get the obvious over with in a single paragraph.  (The amazing thing...
by Mitch Salem
 

 
 

THE SKED Season Premiere Review: “Last Man Standing”

  LAST MAN STANDING:  Friday 8PM on ABC If your heart beats faster when you hear the retro sound of a voice saying “Last Man Standing Is Recorded Before A Live Studio Audience,” then to paraphrase Jeff Foxwort...
by Mitch Salem
 

 

 

THE SKED Pilot Review: “Mind Games”

  MIND GAMES:  Tuesday 10PM on ABC – If Nothing Else Is On… The creator of ABC’s midseason MIND GAMES, Kyle Killen, was the man behind Lone Star and Awake (as well as the movie The Beaver), so he doesn&#...
by Mitch Salem
 

 
 

THE SKED Series Premiere Review: “Helix”

  HELIX:  Friday 10PM on Syfy – If Nothing Else Is On… Just about every network, cable and broadcast, is in the science-fiction business these days in one way or another, and weirdly enough the only one that s...
by Mitch Salem
 

 

 

THE SKED Season Finale Review: “The Originals”

  The first season of THE ORIGINALS has been entertaining, if a bit more sprawling than it needed to be.  A good season finale makes up for a lot, and tonight’s climactic hour, written by Co-Executive Producer Diane...
by Mitch Salem
 

 
 

THE SKED Season Finale Review: “Nashville”

  It took some down-to-the-wire negotiations between ABC and production studio Lionsgate, but NASHVILLE made its way to a Season 3 renewal this week.  (And barring further ratings collapse, that makes a Season 4 more like...
by Mitch Salem
 

 

 

THE SKED Season Finale Review: “Covert Affairs”

  The problem with having your main character “go dark” is that she actually has to get somewhere.  In the Season 4 finale of COVERT AFFAIRS, Annie Walker (Piper Perabo) finally seemed to cross a line by coldb...
by Mitch Salem
 

 
 

THE SKED Fall Finale Review: “Nashville”

  How much guitar string does NASHVILLE have left?  Last night’s fall finale had a 1.4 rating in 18-49s, half a point below last season’s–which was already considered a major disappointment.  When you&#...
by Mitch Salem
 

 

 

“We Are” Done: CBS Remakes Monday Night

  The 1.8 rating WE ARE MEN had this week was higher than any of NBC’s sitcoms last Thursday.  But it was down a huge 1.2 from its HOW I MET YOUR MOTHER lead-in, and that just wasn’t acceptable.  Today CBS bi...
by Mitch Salem
 

 
 

THE SKED Series Premiere Review: “Doll & Em”

  DOLL & EM:  Wednesday 9PM on HBO – If Nothing Else Is On… HBO’s romance with quirky British comedies of discomfort (and with the look and feel of micro-budgeted indie film) continues with DOLL &...
by Mitch Salem
 

 

 

THE SKED’S Fall TV Ratings Predictions – Sunday

  From a predicting point of view, Sunday is sort of an anti-climactic end to our week of fall TV ratings forecasts, since the winner is obvious and there are few changes from last fall.  (See our more interesting predict...
by Mitch Salem
 

 
 

THE SKED Series Premiere Review: “Witches Of East End”

  WITCHES OF EAST END:  Sunday 10PM on Lifetime – Potential DVR Alert The supernatural serial isn’t exactly a neglected genre on TV–this week alone brings the season debuts of American Horror Story and T...
by Mitch Salem
 

 

 

THE SKED Season Finale Review: “Witches of East End”

  In this new era of serialized television drama, plot–and the skill with which it’s doled out–is more important than ever.  An overall clumsiness with the handling of its storylines is what’s held...
by Mitch Salem