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THE SKED’S STATE OF THE NETWORK: CW

  The Sked’s State of the Network Reports:  NBC, CBS, ABC and FOX Of the 10 hours each week programmed by the CW network, a grand total of 3 regularly have ratings over 0.6.  This gives rise to the question:  how ...
by Mitch Salem
 
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THE SKED: 9021–Out

  CW has clarified that the May 13 episode of its rebooted 90210 will be its series finale, not just the end of its 5th season.  Although CW likes to give its veteran shows a farewell lap on the way out (as Gossip Girl ha...
by Mitch Salem
 
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THE SKED’S MONDAY NETWORK SCORECARD – 11/5/12

A small cloud in NBC’s perfect Monday playground? NBC:  Last night REVOLUTION hit a new series low of 2.8.  That still makes it a tremendous hit, one that dominates its timeslot and indeed the 10PM hour in general…...
by Mitch Salem
 
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THE SKED’S MONDAY NETWORK SCORECARD – 10/8/12

No one welcomes back Gossip Girl. NBC:  Although REVOLUTION slipped slightly to 3.1, at this point it’s fair to call the show a substantial hit, the first scripted one NBC has had since… well, since The Office.  U...
by Mitch Salem
 
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THE SKED SEASON PREMIERE REVIEW: “90210”

  90210:  Monday 8PM on CW WHERE WE WERE:  Mid car-crash.  A truck was plowing into Dixon (Tristan Wilds), in a way that would surely kill an actor in the middle of contract renegotiations.  Dixon’s love Adriana ...
by Mitch Salem
 
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THE SKED: CW Premiere Dates

  CW had previously announced that virtually its entire line-up would premiere in October (allowing its mostly serialized shows to air with fewer of the hiatuses and repeats that have tended to disrupt the network’s ...
by Mitch Salem
 
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THE SKED: CW FALL SCHEDULE AND INSTANT ANALYSIS

  CW needed to rip up its schedule and start over, and it mostly has.     Let’s take a look night-by-night. MONDAY:  The network is reuniting two of its cornerstone soaps for the Fall, with 90210 as the le...
by Mitch Salem
 
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THE SKED’S TUESDAY NETWORK SCORECARD – 5/15/12

  This is why CBS doesn’t need to change its line-up much for the Fall. FOX:  Although the ratings don’t reflect it, last night’s 2-hour GLEE  included probably the series’ strongest episodes of t...
by Mitch Salem
 
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THE SKED SEASON FINALE REVIEW: CW’s “90210”

  90210 has never been CW at its best.  The semi-network specializes almost exclusively in fantasies, either of the supernatural or soapy kind (or both), and some of its shows deliver those fantasies with wit and compelli...
by Mitch Salem
 
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THE SKED’S TUESDAY NETWORK SCORECARD – 5/8/12

        Season finales (some of them) shake things up. NBC:  THE VOICE finale was up almost 40% from last week’s episode, to a 4.3 that handed NBC the night.  The only stumble came from moving FASHIO...
by Mitch Salem
 
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THE SKED: CW Takes Care Of the Easy Part

> CW today renewed the 3 shows on its air that were destined for renewal:  THE VAMPIRE DIARIES, the network’s closest thing to a hit; SUPERNATURAL, which has been doing very well on low-rated Fridays; and 90210, with...
by Mitch Salem
 
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THE SKED’S TUESDAY NETWORK SCORECARD – 5/1/12

  Little to be GLEEful about. FOX:  Despite a major episode that included NY auditions for 2 of the characters that the season had been building to (as well as, this being GLEE, a musical spousal abuse subplot, and a rock...
by Mitch Salem
 
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THE SKED’S TUESDAY NETWORK SCORECARD – 4/24/12

> The final arrival of the season is a flop. CW:  THE LA COMPLEX has some promise, but as a low-budget, no-star version of the network’s usual fodder, it didn’t give the Marketing department much to work with.&...
by Mitch Salem
 
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The Sked: TUESDAY RATINGS April 24

>Another close battle for first place Tuesday night between FOX and NBC.  Last week NBC beat FOX by one tenth of a rating point.  This week, FOX is ahead by one tenth on Tuesday night in the fast nationals, but adjust...
by Mitch Metcalf
 
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THE SKED’S TUESDAY NETWORK SCORECARD – 4/17/12

> Another experiment fails. ABC:  PRIVATE PRACTICE has been comfortably successful on Thursdays, in the shelter of older sibling Grey’s Anatomy. but the network’s attempt to try it out on Tuesday nights–w...
by Mitch Salem
 
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