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THE SKED: Friday Ratings – Network Scorecard – 10/14/11

> Fridays are quiet in any case, but with 2 of the networks waiting to launch their “real” schedules, last night was nearly inaudible. CBS:  Although A GIFTED MAN upticked slightly last night, it seems clear th...
by Mitch Salem
 
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THE SKED’S FRIDAY NETWORK SCORECARD 2/24/12

> FRINGE, having watched Monty Python & the Holy Grail, shouts “I’m not dead!” as the gravediggers try to take it away. CBS:  An extremely soft win for the night (1.6 average).  UNDERCOVER BOSS w...
by Mitch Salem
 
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THE SKED PILOT REPORT: CBS’s “A Gifted Man” – PREMIERING TONIGHT

> Disclaimer:  Network pilots now in circulation are not necessarily in the form that will air in the Fall.  Pilots are often reedited and rescored, and in some cases even recast or reshot.  So these critiques sh...
by Mitch Salem
 
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THE SKED: Friday Ratings – Network Scorecard – 9/30/11

> It being a Friday, not a single show on network television could even manage a 2 rating in 18-49s.  Even within that narrow radius, though, there was room to be a loser. CBS:  A GIFTED MAN (see our Pilot + 1 Review)...
by Mitch Salem
 
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THE SKED: “A Gifted Man” Update

>Deadline is reporting that Pablo Schreiber, who guest starred on the pilot for CBS’s A GIFTED MAN (review here) has been upped to a regular.  Schreiber played a new age-y healer in the pilot, visited by Patrick Wils...
by Mitch Salem
 
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THE SKED”S PILOT + 1 REVIEW: “A Gifted Man”

> A lot can happen between the creation of a TV pilot in the spring and production of episodes for the regular season:  a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may hav...
by Mitch Salem
 
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THE SKED SEASON FINALE REVIEW: “A Gifted Man”

> When A GIFTED MAN came onto the scene, it had all the high-class auspices a new series could want.  The pilot was directed by Academy Award-winner Jonathan Demme, was written by Susannah Grant (Eric Brockovich) and had a...
by Mitch Salem
 
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THE SKED: Week 2 + 1 – CBS Network Scorecard

> The third week of a network season is a critical one.  Ratings erosion after a series or season premiere is expected and even acceptable, because it’s understood that not every viewer drawn by hype and marketing wi...
by Mitch Salem
 
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