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THE SHOWBUZZDAILY REVIEW: “Men In Black 3”

MEN IN BLACK 3:  Watch It At Home – $250M Worth of “OK”   After years of development, a famously troubled production, untold rewrites and a budget that even Sony admits is around $250M (meaning $400M+ wi...
by Mitch Salem
 
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SHOWBUZZDAILY WEEKEND BOXOFFICE SCORECARD – 3/11/12

> John Carter traveled to Mars; the movie with his name also looks beyond the US for some help. OPENINGS:  JOHN CARTER (Disney) may or may not have grossed over $30M this weekend–we’ll find out for sure tomorro...
by Mitch Salem
 
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SHOWBUZZDAILY WEEKEND STUDIO SCORECARD – 1/29/12

> Beware the round-number weekend estimate. OPENINGS:  THE GREY (Open Road) is claiming an even $20M gross for the weekend, which would make tomorrow’s adjusted number starting with “19” no surprise at al...
by Mitch Salem
 
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THE BOXOFFICE GAMES BEGIN: “Hunger Games” At Midnight

> THE HUNGER GAMES has an excuse. Last night at midnight, The Hunger Games began its long-awaited run in theatres by grossing $19.7M.  Which is, by any estimation, a lot of money–the most ever earned by a non-sequel,...
by Mitch Salem
 
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“The Hunger Games” and Front-Loaded Boxoffice (Pop Culture Apocalypse Minus 2)

> The most successful movie of all time, Avatar, had an opening weekend ($77M) that only ranks 38th on the list of the biggest openings.  Conversely, the #1 opening weekend of all time belongs to Harry Potter and the Death...
by Mitch Salem
 
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SHOWBUZZDAILY @ SUNDANCE REVIEW: “The First Time”



Genre:

Our Review / 5 - Terrible
by Mitch Salem
0
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SHOWBUZZDAILY FRIDAY BOXOFFICE SCORECARD – 2/3/12

> A surprisingly strong start for 2 low-budget arrivals, although the upside is limited by tomorrow’s Super Bowl. OPENINGS:  CHRONICLE (20th) had a slight $350K edge over THE WOMAN IN BLACK (CBS Films) on Friday, and...
by Mitch Salem
 
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SHOWBUZZDAILY EARLY FRIDAY BOXOFFICE- 4/27/12

> Despite all Universal‘s efforts to imprint audiences with the idea that THE FIVE-YEAR ENGAGEMENT is some kind of quasi-sequel to Bridesmaids (it’s not), preliminary numbers at Deadline show the movie to be underpe...
by Mitch Salem
 
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HUNGER GAMES/MAD MEN POP CULTURE APOCALYPSE MINUS 12 – “Hunger Games” Tracking

> Normally the universe of pop culture only allows for one giant event at a time, and not accidentally–they stay out of each other’s way.  You won’t find any major movies opening the same day as The Aveng...
by Mitch Salem
 
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SHOWBUZZDAILY WEEKEND BOXOFFICE SCORECARD – 2/26/12

> As Hollywood prepares to honor its best (well, this year… maybe not so much), an undistinguished group of arrivals dominate the boxoffice. OPENINGS:  ACT OF VALOR (Relativity) is claiming the lowest Sunday decline ...
by Mitch Salem
 
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THE SHOWBUZZDAILY REVIEW: “Dark Shadows”

  DARK SHADOWS:  Watch it At Home – Loving Detail Isn’t Enough   DARK SHADOWS is one of the most confounding big-budget movies of recent years.  When Tim Burton (and his muse, Johnny Depp, one of the fil...
by Mitch Salem
 
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THE SHOWBUZZDAILY REVIEW: “Project X”

  PROJECT X:  Not Even For Free – Don’t RSVP   How is it that no one has yet produced a 3D found-footage movie?  You’d think the combination of the most (usually) mind-numbing gimmicks of the past ...
by Mitch Salem
 
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THE HUNGER GAMES, MAD MEN and Marketing Restraint (Pop Culture Apocalypse Minus 7)

> The eagerly-awaited Season 5 of the most honored series on television, an interminable 17 months in the making, contents itself with a single enigmatic image:  Don Draper staring into a department store window, his refle...
by Mitch Salem
 
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UPDATED: SHOWBUZZDAILY WEEKEND BOXOFFICE SCORECARD – 4/22/12

> OPENINGS:  THINK LIKE A MAN (Screen Gems/Sony) ran away with the weekend, with a $33M opening that beat every Tyler Perry start except Madea Goes To Jail.  Perry’s movies tend to be quite frontloaded, ending u...
by Mitch Salem
 
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THE SHOWBUZZDAILY REVIEW: “The Lucky One”

    THE LUCKY ONE:  Watch It At Home – Not If The One Is In The Audience   Zac Efron has been working out, and he wants you to know it.  Efron’s new biceps and abs are on frequent display in THE LUC...
by Mitch Salem
 
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