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SHOWBUZZDAILY BROADWAY JOURNAL: “How To Succeed In Business Without Really Trying”

> Few things bring audiences as much joy as the sight of a well-known actor or actress revealing a side of their talent that’s never been seen before.  (It’s not just general audiences, either–those roles...
by Mitch Salem
 
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Broadway

THE SKED REVIEW: THE TONY AWARDS

Even the acceptance speeches are classier on THE TONY AWARDS.  Tonight’s telecast featured a eloquent salute to “All those who say ‘Yes'” in the name of theatre from the lead producer of Best Play winne...
by Mitch Salem
 
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Archive

THE BIJOU’S THEATRE ON FILM: “Company”

> One of the most heartening developments of the past couple of years has been the spreading popularity in theaters of cultural events presented in HD video.  Operas and ballets have become monthly features in many cities,...
by Mitch Salem
 
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Articles

BROADWAY JOURNAL: “Anything Goes”

> Once there was a time when Broadway musicals didn’t have to say anything about society, politics, art, literature, or really much of anything.  They were exercises in style, excuses for glamorous people to get up o...
by Mitch Salem
 
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Articles

COUNTING TO 10: The Tonys

> The Tony Awards aren’t quite like any other televised awards show.  They’re happily, unapologetically insular (and so are the ratings–thank god for CBS, where “young” audience is a relative ...
by Mitch Salem
 
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Articles

SHOWBUZZDAILY NY THEATRE JOURNAL: “Venus In Fur”

> VENUS IN FUR exists, at this point in its Broadway life, as two overlapping but not identical entities:  it’s a deft new play by David Ives, but also, and more prominently, it’s become the Star-Is-Born vehicl...
by Mitch Salem
 
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Articles

THE SKED: “Smash” Makes It To Act 2

> SMASH, the ambitious musical drama that was intended from the start to be NBC’s new signature series (even if for some of us, it’s become a bit smudged) has officially been renewed for a 2d season. This was pretty...
by Mitch Salem
 
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Articles

SHOWBUZZDAILY BROADWAY JOURNAL: “Spider-Man: Turn Off the Dark”

> Haven’t all the jokes been made?  In the history of Broadway, there may never have been a show as relentlessly ridiculed as SPIDER-MAN:  TURN OFF THE DARK.  At this point, it may be that the only interest...
by Mitch Salem
 
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Articles

SHOWBUZZDAILY BROADWAY REVIEW: “Nice Work If You Can Get It”

> The Producers may have been both the best and worst thing ever to happen to Matthew Broderick.  He started his career in the mid-1980s as a fairly smooth, smart-aleck teen mouthpiece for Neil Simon in Brighton Beach Memo...
by Mitch Salem
 
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Articles

SHOWBUZZDAILY NY THEATRE JOURNAL: “Seminar”

> There’s an inescapable irony in Theresa Rebeck’s play SEMINAR when the bilious novelist (Alan Rickman) who’s reluctantly teaching a group of aspiring young writers launches an attack on one of them by predic...
by Mitch Salem
 
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Other

SHOWBUZZDAILY Review: “The Wiz Live”

  THE WIZ LIVE was the smoothest, best-cast and best-sung yet of NBC’s annual Broadway musical pageants, although it had its own issues.  The network, and producers Neil Meron and Craig Zadan, made a demographic cho...
by Mitch Salem
 
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Other

THE SKED REVIEW: The 2013 Tony Awards

  Every year the Oscars flail around searching for a host, a theme, a tone–anything to make its annual 4 hours of primetime cohere instead of congeal–and every year THE TONY AWARDS make it look relatively easy....
by Mitch Salem
 
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Pilot Reports

SHOWBUZZDAILY Series Premiere Review: “Fosse/Verdon”

  FOSSE/VERDON:  Tuesday 10PM on FX A pair of shadows loom over FX’s limited series FOSSE/VERDON.  One is the ultra-meta fact that its story has to some extent been told by Bob Fosse himself, in his barely fictiona...
by Mitch Salem
 
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Film Festival

TORONTO FILM FESTIVAL REVIEW: “August: Osage County”

  The writer/producer/director John Wells made his reputation as the showrunner of ER, and he’s known as one of the most consistent, professional producers in the network business, with impeccable shows like The Wes...
by Mitch Salem
 
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Articles

BROADWAY JOURNAL; “Catch Me If You Can”

>Steven Spielberg week on Broadway continues:  after War Horse, the director’s next film, we have CATCH ME IF YOU CAN, based on his 2002 comedy-drama (that film was written by Jeff Nathanson).   Spielberg&#...
by Mitch Salem
 
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