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THE SKED: “Smash” Makes It To Act 2

> SMASH, the ambitious musical drama that was intended from the start to be NBC’s new signature series (even if for some of us, it’s become a bit smudged) has officially been renewed for a 2d season. This was pretty...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Toronto Film Festival Reviews: “The Humans,” “The Electrical Life of Louis Wain” & “The Wheel”

  THE HUMANS (A24/Showtime – Nov. 24):  There are typically two strategies for adapting a celebrated play about a small number of people in a limited space to the screen.  One is to “open it up,” adding...
by Mitch Salem
 
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Articles

BROADWAY JOURNAL: “Anything Goes”

> Once there was a time when Broadway musicals didn’t have to say anything about society, politics, art, literature, or really much of anything.  They were exercises in style, excuses for glamorous people to get up o...
by Mitch Salem
 
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Broadway

THE SKED REVIEW: THE TONY AWARDS

Even the acceptance speeches are classier on THE TONY AWARDS.  Tonight’s telecast featured a eloquent salute to “All those who say ‘Yes'” in the name of theatre from the lead producer of Best Play winne...
by Mitch Salem
 
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Articles

SHOWBUZZDAILY NY THEATRE JOURNAL: “Venus In Fur”

> VENUS IN FUR exists, at this point in its Broadway life, as two overlapping but not identical entities:  it’s a deft new play by David Ives, but also, and more prominently, it’s become the Star-Is-Born vehicl...
by Mitch Salem
 
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Current Release

THE SHOWBUZZDAILY REVIEW: “Les Miserables”

  LES MISERABLES – Worth A Ticket – One Day More Finally Arrives In light of some of the early reactions, perhaps the most important thing to note about LES MISERABLES the film is that it is, in fact, the f...
by Mitch Salem
 
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Articles

COUNTING TO 10: The Tonys

> The Tony Awards aren’t quite like any other televised awards show.  They’re happily, unapologetically insular (and so are the ratings–thank god for CBS, where “young” audience is a relative ...
by Mitch Salem
 
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Articles

The Tony Award Nominations

  In a Broadway season with seemingly just one overwhelming favorite (that would be Neil Patrick–wait for it–Harris), the Tony Award nominations were bound to have their share of omissions and oddities.  The f...
by Mitch Salem
 
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Articles

THE SKED’S PILOT + 1 REVIEW: “Smash”

> A lot can happen between the creation of a TV pilot in the spring and production of episodes for the regular season:  a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may hav...
by Mitch Salem
 
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Articles

SHOWBUZZDAILY BROADWAY REVIEW: “Nice Work If You Can Get It”

> The Producers may have been both the best and worst thing ever to happen to Matthew Broderick.  He started his career in the mid-1980s as a fairly smooth, smart-aleck teen mouthpiece for Neil Simon in Brighton Beach Memo...
by Mitch Salem
 
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Other

SHOWBUZZDAILY Review: “The Wiz Live”

  THE WIZ LIVE was the smoothest, best-cast and best-sung yet of NBC’s annual Broadway musical pageants, although it had its own issues.  The network, and producers Neil Meron and Craig Zadan, made a demographic cho...
by Mitch Salem
 
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Articles

SHOWBUZZDAILY BROADWAY JOURNAL: “How To Succeed In Business Without Really Trying”

> Few things bring audiences as much joy as the sight of a well-known actor or actress revealing a side of their talent that’s never been seen before.  (It’s not just general audiences, either–those roles...
by Mitch Salem
 
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Articles

SHOWBUZZDAILY NY THEATRE JOURNAL: “Seminar”

> There’s an inescapable irony in Theresa Rebeck’s play SEMINAR when the bilious novelist (Alan Rickman) who’s reluctantly teaching a group of aspiring young writers launches an attack on one of them by predic...
by Mitch Salem
 
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Film Festival

TORONTO FILM FESTIVAL REVIEW: “August: Osage County”

  The writer/producer/director John Wells made his reputation as the showrunner of ER, and he’s known as one of the most consistent, professional producers in the network business, with impeccable shows like The Wes...
by Mitch Salem
 
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Other

THE SKED REVIEW: The 2013 Tony Awards

  Every year the Oscars flail around searching for a host, a theme, a tone–anything to make its annual 4 hours of primetime cohere instead of congeal–and every year THE TONY AWARDS make it look relatively easy....
by Mitch Salem
 
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