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Articles

BROADWAY JOURNAL; “Catch Me If You Can”

>Steven Spielberg week on Broadway continues:  after War Horse, the director’s next film, we have CATCH ME IF YOU CAN, based on his 2002 comedy-drama (that film was written by Jeff Nathanson).   Spielberg&#...
by Mitch Salem
 
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Other

THE SKED REVIEW: The 2013 Tony Awards

  Every year the Oscars flail around searching for a host, a theme, a tone–anything to make its annual 4 hours of primetime cohere instead of congeal–and every year THE TONY AWARDS make it look relatively easy....
by Mitch Salem
 
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Pilot Reports

SHOWBUZZDAILY Series Premiere Review: “Fosse/Verdon”

  FOSSE/VERDON:  Tuesday 10PM on FX A pair of shadows loom over FX’s limited series FOSSE/VERDON.  One is the ultra-meta fact that its story has to some extent been told by Bob Fosse himself, in his barely fictiona...
by Mitch Salem
 
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Articles

COUNTING TO 10: The Tonys

> The Tony Awards aren’t quite like any other televised awards show.  They’re happily, unapologetically insular (and so are the ratings–thank god for CBS, where “young” audience is a relative ...
by Mitch Salem
 
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Current Release

THE SHOWBUZZDAILY REVIEW: “Les Miserables”

  LES MISERABLES – Worth A Ticket – One Day More Finally Arrives In light of some of the early reactions, perhaps the most important thing to note about LES MISERABLES the film is that it is, in fact, the f...
by Mitch Salem
 
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Articles

The Tony Award Nominations

  In a Broadway season with seemingly just one overwhelming favorite (that would be Neil Patrick–wait for it–Harris), the Tony Award nominations were bound to have their share of omissions and oddities.  The f...
by Mitch Salem
 
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Articles

SHOWBUZZDAILY NY THEATRE JOURNAL: “Venus In Fur”

> VENUS IN FUR exists, at this point in its Broadway life, as two overlapping but not identical entities:  it’s a deft new play by David Ives, but also, and more prominently, it’s become the Star-Is-Born vehicl...
by Mitch Salem
 
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Articles

SHOWBUZZDAILY BROADWAY JOURNAL: “Follies”

> FOLLIES may be the strangest of all Broadway masterpieces; after 40 years, it’s still the most avant-garde work of Stephen Sondheim’s career. It’s easy enough to make the show sound linear:  set in 1971...
by Mitch Salem
 
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Reviews

THE SKED SERIES FINALE REVIEW: “Smash”

  Nothing ever came up roses for SMASH, and tonight, after two misbegotten NBC seasons, on a holiday weekend buried against reruns and NASCAR, the show’s Broadway curtain came down for the last time.  The saddest th...
by Mitch Salem
 
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Reviews

SHOWBUZZDAILY Series Finale Review: “Fosse/Verdon”

  FX’s FOSSE/VERDON was a triumph of narrowcasting, a showbiz hall of mirrors about a showbiz hall of mirrors.  That was never more so than in its final installment, where it met its meta-destiny by depicting Bob Fo...
by Mitch Salem
 
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Articles

THE SKED’S PILOT + 1 REVIEW: “Smash”

> A lot can happen between the creation of a TV pilot in the spring and production of episodes for the regular season:  a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may hav...
by Mitch Salem
 
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Film Festival

TORONTO FILM FESTIVAL REVIEW: “August: Osage County”

  The writer/producer/director John Wells made his reputation as the showrunner of ER, and he’s known as one of the most consistent, professional producers in the network business, with impeccable shows like The Wes...
by Mitch Salem
 
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Articles

SHOWBUZZDAILY NY THEATRE JOURNAL: “Seminar”

> There’s an inescapable irony in Theresa Rebeck’s play SEMINAR when the bilious novelist (Alan Rickman) who’s reluctantly teaching a group of aspiring young writers launches an attack on one of them by predic...
by Mitch Salem
 
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Articles

SHOWBUZZDAILY BROADWAY JOURNAL: “Spider-Man: Turn Off the Dark”

> Haven’t all the jokes been made?  In the history of Broadway, there may never have been a show as relentlessly ridiculed as SPIDER-MAN:  TURN OFF THE DARK.  At this point, it may be that the only interest...
by Mitch Salem
 
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Articles

SHOWBUZZDAILY BROADWAY JOURNAL: “How To Succeed In Business Without Really Trying”

> Few things bring audiences as much joy as the sight of a well-known actor or actress revealing a side of their talent that’s never been seen before.  (It’s not just general audiences, either–those roles...
by Mitch Salem
 
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