Posts Tagged ‘Comedy’
 

 

SHOWBUZZDAILY @ SUNDANCE REVIEW: “The First Time”

  THE FIRST TIME may be too lovable for its own good.  Jonathan Kasdan’s teen romance, which premiered in the Dramatic Competition at Sundance, couldn’t be more straightforward:  in its opening minutes, it in...
by Mitch Salem
 

 
 

THE SHOWBUZZDAILY REVIEW: “Lola Versus”

LOLA VERSUS:  Watch It At Home – An Unmemorable Woman   LOLA VERSUS‘ ambition is pretty clear:  it wants to be the 2012 version of Paul Mazursky’s 1978 comedy-drama AN UNMARRIED WOMAN, which is to say c...
by Mitch Salem
 

 

 

THE SKED PREMIERE REVIEW: “The Finder”

> THE FINDER – Thursdays 9PM on FOX – If Nothing Else Is On… THE FINDER has already had a pilot of sorts, which aired last season as an episode of BONES.  While the series is based on the character Walter...
by Mitch Salem
 

 
 

DIARY OF A WIMPY KID–RODRICK RULES: Shortbus

> Not Even For Free It was a feel-good story last weekend when the expensive shambles called Sucker Punch went down, defeated by the relatively low-budget family comedy DIARY OF A WIMPY KID:  RODRICK RULES.  (Mitch Me...
by Mitch Salem
 

 

 

YOUR HIGHNESS: Ye Olde Disaster

> Not Even For Free Let’s give a little love to the devious people at Universal who cut the trailers.  The masterminds behind the red-band for YOUR HIGHNESS managed to find, in its 102 dull minutes, roughly 3 and a h...
by Mitch Salem
 

 
 

THE SHOWBUZZDAILY REVIEW: “Hansel & Gretel: Witch Hunters”

  HANSEL & GRETEL: WITCH HUNTERS:  Not At Any Price – Audiences Won’t Live Happily Ever After HANSEL & GRETEL: WITCH HUNTERS is mostly terrible, but say this for it:  it’s not terrible like anyt...
by Mitch Salem
 

 

 

SCRE4M: Meta Boo!

> Watch It At Home;  The thrills are so postmodern, they don’t seem to be happening in the theater. When the original Scream arrived in 1996, the slaughtering-the-teenagers genre was already old enough to drive; the ...
by Mitch Salem
 

 
 

THE BIJOU @ TIFF: “Hick”

> Derick Martini’s HICK is like a Sundance movie that took the wrong indie-film exit and wound up in Toronto.  For whatever reason, Toronto’s film festival tends to find itself with fewer stories of young peopl...
by Mitch Salem
 

 

 

THE SKED PILOT REPORT: PREMIERING TONIGHT – “Bent”

> Disclaimer:  Network pilots now in circulation are not necessarily in the form that will air in the Fall.  Pilots are often reedited and rescored, and in some cases even recast or reshot.  So these critiques sh...
by Mitch Salem
 

 
 

THE BIJOU @ TIFF: “Butter”

> Jim Field Smith’s comedy BUTTER, which premiered at the Toronto Film Festival, ambitiously makes a play for both the heartwarming indie Little Miss Sunshine audience and the satire-minded Election crowd.  That may ...
by Mitch Salem
 

 

 

THE SKED SEASON FINALE REVIEW: “House Of Lies”

> After a full season, it’s still not clear just what HOUSE OF LIES is. The season finale, written and directed by series creator Matthew Carnahan, centered on what became the show’s main storyline in the latter par...
by Mitch Salem
 

 
 

THE SKED REVIEW: “Brand X With Russell Brand”

  BRAND X WITH RUSSELL BRAND:  Thursday 11PM on FX – Change the Channel Russell Brand has been more or less flailing around for the past several years, trying to find a place in American pop culture.  His introduct...
by Mitch Salem
 

 

 

THE SHOWBUZZDAILY REVIEW: “Wanderlust”

      WANDERLUST:  Watch It At Home – Hippy Jokes Thawed Out From 1966   The new WANDERLUST demonstrates the strengths and limitations of amiability in movies.  Its stars, Jennifer Aniston and Paul R...
by Mitch Salem
 

 
 

THE SKED’S PILOT + 1 REVIEW: “Up All Night”

>   A lot can happen between the creation of a TV pilot in the spring and production of episodes for the regular season:  a writing/producing team is hired, audience focus groups weigh in, networks and studios (which ...
by Mitch Salem
 

 

 

THE SKED’S PILOT + 1 REVIEW: “Bunheads”

A lot can happen between the creation of a TV pilot in the spring and the production of episodes for the regular season: a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have ha...
by Mitch Salem