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THE SKED SEASON PREMIERE REVIEW: “Franklin & Bash”

        This summer, TNT is airing an ambitious slate of original programming, including the final season of its signature series The Closer, the launches of spinoff Major Crimes and new procedural Perception, a...
by Mitch Salem
 
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THE SKED PILOT REVIEW: “Longmire”

      COMING THIS WEEK:  The New and Improved SHOWBUZZDAILY!     It’s a paradox of American pop culture of the moment that you can barely sell a movie ticket for anything that even smells like a ...
by Mitch Salem
 
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THE SKED: “Hatfields & McCoys” Blows Up The Record Books – Again

    It’s not exactly a surprise that History’s HATFIELDS & MCCOYS had another spectacular ratings night with its conclusion on Wednesday.  The show actually went up from its record-setting Part 1 audi...
by Mitch Salem
 
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THE SKED FINALE REVIEW: “Hatfields & McCoys”

    HATFIELDS & MCCOYS, already a blockbuster hit, kept its best and most compelling hours for last.  Although the conclusion of the 6-hour tale, directed throughout by Kevin Reynolds and with this installment wr...
by Mitch Salem
 
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THE SKED: “Hatfields & McCoys” Keep Shooting

  History Channel, which just entered the world of scripted television 2 days ago, now owns the #1 and #2 scripted programs in the history of basic cable, as the 2d installment of HATFIELDS & MCCOYS barely declined fro...
by Mitch Salem
 
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THE SKED REVIEW: “Hatfields & McCoys” Episode 2

  The second 2-hour chunk of the newly anointed most popular scripted show in the history of basic cable, History’s HATFIELDS & MCCOYS, was much like the first episode:  a strong opening hour followed by a secon...
by Mitch Salem
 
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THE SKED MIDSEASON (?) FINALE REVIEW: “The LA Complex”

    Even by CW standards–and this is a network where shows that could barely hold a slot in basic cable get renewed–THE LA COMPLEX is a clear flop, watched by about  2/10 of 1% of the 18-49 year old audie...
by Mitch Salem
 
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THE SKED: A’Feudin’ and A-Watchin’

  History Channel has to be awfully happy with its decision to get into the scripted programming business.  Part 1 of HATFIELDS & MCCOYS (our review is here) premiered last night to the largest non-sports audience in ...
by Mitch Salem
 
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THE SKED REVIEW: “Hemingway & Gellhorn”

    It wasn’t so long ago that the announcement of an epic period love story starring Nicole Kidman and Clive Owen as war correspondent Martha Gellhorn and legendary novelist Ernest Hemingway, directed by Philip...
by Mitch Salem
 
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THE SKED REVIEW: “Hatfields & McCoys” Episode 1

    Even as the scripted drama business on the broadcast networks subsides into increasing irrelevance, new players arise who want to take part.  Dramas may not be cost-effective in the way that they once were, but t...
by Mitch Salem
 
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THE SKED SEASON PREMIERE REVIEW: “Rookie Blue”

    The sparse network summer season for scripted series kicked off tonight with ROOKIE BLUE, beginning that extreme rarity, a 3d season, where few original network dramas in summer even get to a Season 2. WHERE WE WE...
by Mitch Salem
 
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THE SKED SEASON FINALE REVIEW: “Awake”

  Check Out THE SKED’s Complete Season Finale Reviews HERE. Maybe Kyle Killen and Taylor Kitsch should have coffee together.  Kitsch, of course, is now infamous as the only man in history to star in two $200M bombs ...
by Mitch Salem
 
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THE SHOWBUZZDAILY REVIEW: “Moonrise Kingdom”

  MOONRISE KINGDOM:  Worth A Ticket – The Kingdom is Wes Anderson’s     Wes Anderson seemed to find the perfect vehicle for his particular form of brilliance with 2009’s stop-motion animated Fa...
by Mitch Salem
 
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THE SKED SEASON FINALE REVIEW: “Revenge”

  A show like REVENGE is supposed to glory in its Season Finales.  It’s the one time when things can really happen:  characters can die, plotlines can resolve, shocking surprises can be introduced.  In a way a sea...
by Mitch Salem
 
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THE SKED SEASON FINALE REVIEW: “Law & Order: SVU”

  Check Out THE SKED’s Complete Season Finale Reviews HERE   How can anyone say that LAW & ORDER:  SPECIAL VICTIMS UNIT has an antiquated feel, when the producers proved in the last scene of tonight’s...
by Mitch Salem
 
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