Posts Tagged ‘drama’
 

 

THE SKED SEASON PREMIERE REVIEW: “Mad Men”

> WHERE WE WERE:  Reeling from the news that Don Draper (Jon Hamm) had proposed to his French-Canadian secretary Megan (Jessica Pare).  In other cubicles at Sterling Cooper Draper Pryce, Joan (Christina Hendricks), pr...
by Mitch Salem
 

 
 

THE SKED’S PILOT + 4 REVIEW: “The Newsroom”

  We’re at the halfway point in Season 1 of THE NEWSROOM (so, yay!), and Aaron Sorkin celebrated by firing almost his entire writing staff.  (In a delightfully self-referential touch that TMI Magazine would apprecia...
by Mitch Salem
 

 

 

THE SKED’S PILOT + 2 REVIEW: “The Newsroom”

  Previously… On THE NEWSROOM:  Will McAvoy (Jeff Daniels) and his executive producer Mackenzie MacHale (Emily Mortimer), with the support and encouragement of News Division head Charlie Skinner (Sam Waterston) are ...
by Mitch Salem
 

 
 

THE SKED’S MIDSEASON RETURN: “Pan Am”

> Although nothing is likely to be official until May, the odds are that PAN AM is heading into its final landing.  The series received a short back order from ABC, and will be off the air after February, when Good Christi...
by Mitch Salem
 

 

 

SHOWBUZZDAILY @ TORONTO: “The Sessions”

Oscar buzz has been trailing THE SESSIONS (which was then called The Surrogate) since it was unveiled at Sundance in January, and with good reason.  For Academy members, it doesn’t get much better than a warm “base...
by Mitch Salem
 

 
 

THE SKED PILOT REPORT: PREMIERING TONIGHT – NBC’s “Prime Suspect”

> Disclaimer:  Network pilots now in circulation are not necessarily in the form that will air in the Fall.  Pilots are often reedited and rescored, and in some cases even recast or reshot.  So these critiques sh...
by Mitch Salem
 

 

 

THE SKED REVIEW: “Hemingway & Gellhorn”

    It wasn’t so long ago that the announcement of an epic period love story starring Nicole Kidman and Clive Owen as war correspondent Martha Gellhorn and legendary novelist Ernest Hemingway, directed by Philip...
by Mitch Salem
 

 
 

THE SKED REVIEW: “Hatfields & McCoys” Episode 2

  The second 2-hour chunk of the newly anointed most popular scripted show in the history of basic cable, History’s HATFIELDS & MCCOYS, was much like the first episode:  a strong opening hour followed by a secon...
by Mitch Salem
 

 

 

THE SHOWBUZZDAILY REVIEW: “Larry Crowne”

  LARRY CROWNE:  Watch It At Home – Giant Stars/Tiny Ambitions   Allow me to play Nostradamus for a moment.  the day will come–and it’s not far off–when you’ll be sitting in front of yo...
by Mitch Salem
 

 
 

THE SKED SERIES PREMIERE REVIEW: “Hit & Miss”

  HIT & MISS:  WEDNESDAY 10pm on DirecTV Audience Network – Worth A Look   HIT & MISS is considerably less sensationalistic than its premise and first five minutes might lead you to expect.  By the end...
by Mitch Salem
 

 

 

THE SKED PILOT REPORT: PREMIERING TONIGHT – “Smash”

> Disclaimer:  Network pilots now in circulation are not necessarily in the form that will air in the Fall.  Pilots are often reedited and rescored, and in some cases even recast or reshot.  So these critiques sh...
by Mitch Salem
 

 
 

PREMIERING TONIGHT – THE SKED PILOT REPORT: ABC’s “Nashville”

  NASHVILLE – Wednesday 10PM on ABC:  Potential DVR Alert ABC has become the network of soaps, and its big play in the genre for fall is NASHVILLE, which is inheriting Revenge‘s slot as the latter show gets pr...
by Mitch Salem
 

 

 

THE SKED SEASON PREMIERE REVIEW: “Damages”

  DAMAGES:  Wednesday 9PM on DirecTV Audience Network   WHERE WE WERE:  Recoiling from Patty Hewes (Glenn Close), the most untrustworthy attorney in New York.  Patty is a spider, constantly setting traps for everyo...
by Mitch Salem
 

 
 

THE SKED SEASON FINALE REVIEW: “Rectify”

  When people say that an original film or television series has the feel of a novel, it’s usually meant as a high compliment.  (The Wire is probably the definitive example of this in television.)  But Sundance Cha...
by Mitch Salem
 

 

 

THE SKED’S PILOT + 1 REVIEW: “The LA Complex”

> A lot can happen between the creation of a TV pilot in the spring and the production of episodes for the regular season: a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have ...
by Mitch Salem