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HOLIDAY BOXOFFICE: Thursday Numbers – 12/29/11

> The boxoffice was steady as expected yesterday, virtually everything within 5%, up or down, from where it was on Wednesday.  There were just a couple of exceptions: PARIAH (Focus):  Proved to be scarily front-loaded...
by Mitch Salem
 
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SHOWBUZZDAILY WEEKEND STUDIO SCORECARD – 1/29/12

> Beware the round-number weekend estimate. OPENINGS:  THE GREY (Open Road) is claiming an even $20M gross for the weekend, which would make tomorrow’s adjusted number starting with “19” no surprise at al...
by Mitch Salem
 
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HOLIDAY BOXOFFICE: FRIDAY STUDIO SCORECARD – 12/30/11

> As detailed in Mitch Metcalf’s Boxoffice Report, Friday’s numbers were solid but lacking any breakout excitement.  First, let’s take a quick look at the limited-run Oscar hopefuls: THE IRON LADY (Weinst...
by Mitch Salem
 
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SHOWBUZZDAILY’S WEEKEND BOXOFFICE STUDIO SCORECARD

> Happy Voice/Smash Bowl, everyone!  (And go Giants!!!) OPENINGS:  CHRONICLE (20th) is claiming bragging rights for the weekend over THE WOMAN IN BLACK (CBS) by $1M.  But both films are assuming almost identical ...
by Mitch Salem
 
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THE BIJOU: EARLY FRIDAY BOXOFFICE

> Deadline has early figures for Friday, and they indicate that Open Road’s THE GREY will, as expected, win the day and weekend.  If the early estimate of $6.2M for Friday holds, it could gross around $15M for the we...
by Mitch Salem
 
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SHOWBUZZDAILY FRIDAY BOXOFFICE SCORECARD – 2/3/12

> A surprisingly strong start for 2 low-budget arrivals, although the upside is limited by tomorrow’s Super Bowl. OPENINGS:  CHRONICLE (20th) had a slight $350K edge over THE WOMAN IN BLACK (CBS Films) on Friday, and...
by Mitch Salem
 
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THE BIJOU REVIEW: “Extremely Loud and Incredibly Close”

> EXTREMELY LOUD AND INCREDIBLY CLOSE:  Worth A Ticket –  Earns Its Tears If EXTREMELY LOUD AND INCREDIBLY CLOSE accomplishes nothing else–and it actually accomplishes quite a bit–it’s served t...
by Mitch Salem
 
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HOLIDAY BOXOFFICE: NEW YEAR’S WEEKEND STUDIO SCORECARD – 1/2/12

> As detailed in Mitch Metcalf’s Weekend Boxoffice Report, New Year’s Day wasn’t the bonanza the studios were expecting it to be. PARAMOUNT:  MISSION: IMPOSSIBLE – GHOST PROTOCOL‘s Sunday incr...
by Mitch Salem
 
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THE SHOWBUZZDAILY FRIDAY BOXOFFICE SCORECARD – 2/10/12

> You’re frontloaded!  No, you’re frontloaded! OPENINGS:  The movie audience has 3 main components–men, women, kids–and a weekend that offers a strong title for each one has a good chance of be...
by Mitch Salem
 
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HOLIDAY BOXOFFICE: WEEKEND STUDIO SCORECARD – 1/1/12

> With one startling exception and a couple of smaller ones, the holiday crop of movies declined on Saturday and are expected to recover on New Year’s Day. PARAMOUNT:  MISSION: IMPOSSIBLE – GHOST PROTOCOL went ...
by Mitch Salem
 
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HOLIDAY BOXOFFICE: Wednesday Numbers – 12/29/11

> The boxoffice did more or less what it was supposed to on Wednesday, drifting down 5-10% from Tuesday.  Thursday should be fairly steady, then business should have a bit of a roller-coaster ride:  an increase on Fri...
by Mitch Salem
 
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HOLIDAY BOXOFFICE: Tuesday Numbers – 12/28/11

> The holiday celebrations at the studios may have been a bit premature.   Traditionally, the Tuesday after Christmas sees a 10-20% drop from Monday, and that number becomes the template for the rest of the holiday pe...
by Mitch Salem
 
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FRIDAY BOXOFFICE: STUDIO SCORECARD – 1/14/12

> The Martin Luther King holiday weekend, a relatively small one for Hollywood because many people work on Monday, begins. UNIVERSAL: The studio made the fairly extraordinary decision to sit out the holiday movie season entirel...
by Mitch Salem
 
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THE SHOWBUZZDAILY WEEKEND BOXOFFICE SCORECARD – 2/12/12

> Hollywood Hearts this weekend. OPENINGS:   It turned out that THE VOW (Screen Gems/Sony) was indeed slightly more frontloaded than SAFE HOUSE (Universal), but not by enough to rob it of 1st place.  Vow‘s ...
by Mitch Salem
 
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SHOWBUZZDAILY 2011 IN REVIEW: THE TOP 10 FILMS

> See Also: 2011 HONORABLE MENTIONS 2011 WORST 10   As a movie year, 2011 felt, more than anything else, like a reflection of an art and a business in disarray.  Economically, it was a down year and for the major stud...
by Mitch Salem
 
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