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THE BIJOU REVIEW: “Extremely Loud and Incredibly Close”

> EXTREMELY LOUD AND INCREDIBLY CLOSE:  Worth A Ticket –  Earns Its Tears If EXTREMELY LOUD AND INCREDIBLY CLOSE accomplishes nothing else–and it actually accomplishes quite a bit–it’s served t...
by Mitch Salem
 
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HOLIDAY BOXOFFICE: NEW YEAR’S WEEKEND STUDIO SCORECARD – 1/2/12

> As detailed in Mitch Metcalf’s Weekend Boxoffice Report, New Year’s Day wasn’t the bonanza the studios were expecting it to be. PARAMOUNT:  MISSION: IMPOSSIBLE – GHOST PROTOCOL‘s Sunday incr...
by Mitch Salem
 
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THE SHOWBUZZDAILY WEEKEND BOXOFFICE SCORECARD – 2/12/12

> Hollywood Hearts this weekend. OPENINGS:   It turned out that THE VOW (Screen Gems/Sony) was indeed slightly more frontloaded than SAFE HOUSE (Universal), but not by enough to rob it of 1st place.  Vow‘s ...
by Mitch Salem
 
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SHOWBUZZDAILY 2011 IN REVIEW: THE TOP 10 FILMS

> See Also: 2011 HONORABLE MENTIONS 2011 WORST 10   As a movie year, 2011 felt, more than anything else, like a reflection of an art and a business in disarray.  Economically, it was a down year and for the major stud...
by Mitch Salem
 
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FRIDAY BOXOFFICE: STUDIO SCORECARD – 1/6/12

> Everyone wanted to go to the movies on the first full weekend of 2012. PARAMOUNT:  The studio went straight to its Paranormal Activity playbook to launch THE DEVIL INSIDE (pre-release screenings, months of buzz), and it ...
by Mitch Salem
 
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WEEKEND BOXOFFICE: STUDIO SCORECARD – 1/9/12

> Live by Cinemascore, die by Cinemascore. THE DEVIL INSIDE:  The most hilarious studio event of the last 24 hours has been Paramount‘s frantic attempt to argue that an “F” Cinemascore for THE DEVIL INSID...
by Mitch Salem
 
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STATUETTE STAKES: The Ides of Golden Globes

> The Golden Globes are given out by 80 international journalists whose opinions, when they’re not voting on these awards, are of no importance whatsoever to anyone on the planet other than their particular loved ones.&nb...
by Mitch Salem
 
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FRIDAY BOXOFFICE: STUDIO SCORECARD – 1/14/12

> The Martin Luther King holiday weekend, a relatively small one for Hollywood because many people work on Monday, begins. UNIVERSAL: The studio made the fairly extraordinary decision to sit out the holiday movie season entirel...
by Mitch Salem
 
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THE BIJOU: EARLY FRIDAY BOXOFFICE

> Deadline has early figures for Friday, and they indicate that Open Road’s THE GREY will, as expected, win the day and weekend.  If the early estimate of $6.2M for Friday holds, it could gross around $15M for the we...
by Mitch Salem
 
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HOLIDAY BOXOFFICE: Tuesday Numbers – 12/28/11

> The holiday celebrations at the studios may have been a bit premature.   Traditionally, the Tuesday after Christmas sees a 10-20% drop from Monday, and that number becomes the template for the rest of the holiday pe...
by Mitch Salem
 
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SHOWBUZZDAILY FRIDAY STUDIO SCORECARD – 1/27/12

> Behold Liam Neeson, King of January. OPENINGS:  THE GREY (Open Road) will easily take the weekend, albeit at a lower level than prior Neeson early-year thrillers.  Given that this one features killer wolves and hypo...
by Mitch Salem
 
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HOLIDAY BOXOFFICE: Wednesday Numbers – 12/29/11

> The boxoffice did more or less what it was supposed to on Wednesday, drifting down 5-10% from Tuesday.  Thursday should be fairly steady, then business should have a bit of a roller-coaster ride:  an increase on Fri...
by Mitch Salem
 
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SHOWBUZZDAILY WEEKEND STUDIO SCORECARD – 1/29/12

> Beware the round-number weekend estimate. OPENINGS:  THE GREY (Open Road) is claiming an even $20M gross for the weekend, which would make tomorrow’s adjusted number starting with “19” no surprise at al...
by Mitch Salem
 
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HOLIDAY BOXOFFICE: Thursday Numbers – 12/29/11

> The boxoffice was steady as expected yesterday, virtually everything within 5%, up or down, from where it was on Wednesday.  There were just a couple of exceptions: PARIAH (Focus):  Proved to be scarily front-loaded...
by Mitch Salem
 
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SHOWBUZZDAILY FRIDAY BOXOFFICE SCORECARD – 2/3/12

> A surprisingly strong start for 2 low-budget arrivals, although the upside is limited by tomorrow’s Super Bowl. OPENINGS:  CHRONICLE (20th) had a slight $350K edge over THE WOMAN IN BLACK (CBS Films) on Friday, and...
by Mitch Salem
 
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