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Film Festival

ShowbuzzDaily Sundance Film Festival Review: “Don’t Worry, He Won’t Get Far On Foot”

  DON’T WORRY, HE WON’T GET FAR ON FOOT (Amazon):  Despite some Christopher Nolan-esque splintering of time, Gus Van Sant’s Don’t Worry, He Won’t Get Far On Foot is one of his more convention...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Toronto 2014 Review: “Top Five”

  TOP FIVE:  No Current US Distributor or Release Date (but that will change very soon) – Worth A Ticket Chris Rock is generally considered among the greatest stand-ups of his generation, and it’s been clear f...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Toronto Film Festival Review: “London Road”

  LONDON ROAD may have seemed marginally less odd as the stage musical it originally was.  No matter how naturalistic a play may be, the mechanics of theatre make it somewhat stylized, and that may have brought the show&#...
by Mitch Salem
 
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Current Release

SHOWBUZZDAILY REVIEW: “Ender’s Game”

  ENDER’S GAME:  Watch It At Home – Breaks The Rules, But Doesn’t Win the Game You don’t often see a $110M (plus marketing) YA adventure, intended to kick off a new movie franchise, as resolutely o...
by Mitch Salem
 
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Current Release

SHOWBUZZDAILY Toronto 2014 Review: “This Is Where I Leave You”

  THIS IS WHERE I LEAVE YOU (Warners) – Opens September 19 – Worth A Ticket Jonathan Tropper’s very successful day job is writing seriocomic novels about families and romance that are distinguished by the...
by Mitch Salem
 
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Current Release

SHOWBUZZDAILY Film Review: “Tammy”

  TAMMY:  Not Even For Free – Melissa McCarthy Fumbles Her Industry Clout When a star earns hundreds of millions of dollars for Hollywood, it can show its appreciation by handing over the creative reins to the star ...
by Mitch Salem
 
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Current Release

TORONTO FILM FESTIVAL REVIEW: “Rush”

  The writer Peter Morgan is a whiz at boring into little-remembered (and in the US, sometimes little-known) crannies of recent history and scooping out the rich drama inside, with scripts like The Deal, Frost/Nixon and Th...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Toronto Film Festival Review: “Truth”

  The screenwriter James Vanderbilt has made his directing debut with TRUTH, which premiered at the Toronto Film Festival tonight, and at times it’s clear that this is a writer’s movie:  Vanderbilt gives no fe...
by Mitch Salem
 
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Current Release

SHOWBUZZDAILY FILM REVIEW: The Hunger Games: Catching Fire”

  THE HUNGER GAMES: CATCHING FIRE:  Buy A Ticket – The Odds Remain in This Franchise’s Favor Gary Ross did a fine, gritty job as director and co-writer of the first Hunger Games adaptation, one especially attu...
by Mitch Salem
 
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Current Release

SHOWBUZZDAILY FILM REVIEW: “The Hobbit: The Desolation of Smaug”

  As I was saying… THE HOBBIT: THE DESOLATION OF SMAUG:  Worth A Ticket – The Long Road Continues, But This Time On A Better Path Jumping at once to the most pressing matter–which is more than its trilog...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY SUNDANCE REVIEW: “Happy Christmas”

  Joe Swanberg, the director, writer and co-star of HAPPY CHRISTMAS, which premiered at Sundance earlier this week, makes Woody Allen look lazy.  He’s had something like a dozen features to his credit since the sta...
by Mitch Salem
 
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Current Release

SHOWBUZZDAILY REVIEW: “Robocop”

  ROBOCOP:  Watch It At Home – A Tinny Remake This weekend’s movie openings feature no less than 3 remakes of 1980s hits, with new versions of ROBOCOP, About Last Night and Endless Love arriving at once, but i...
by Mitch Salem
 
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Film Festival

TORONTO FILM FESTIVAL REVIEW: “The Disappearance of Eleanor Rigby: Him and Her”

  THE DISAPPEARANCE OF ELEANOR RIGBY: HIM & HER is an extraordinary feature debut for its writer/director Ned Benson.  Indeed, it’s so remarkable that it comes close to not needing the modifier “debutR...
by Mitch Salem
 
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Film Festival

TORONTO FILM FESTIVAL REVIEW: “Third Person”

  There is a reason, or at least an argument, for why almost everything in Paul Haggis’s THIRD PERSON feels synthetic and contrived–but I can’t make it here, because doing so would expose the film’...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Toronto Film Festival Review: “I Saw the Light”

  Marc Abraham, for his second film as director (prior to that, he was a veteran producer), has chosen his second consecutive mid-20th-century biography, following 2008’s Flash of Genius with I SAW THE LIGHT, which p...
by Mitch Salem
 
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