Posts Tagged ‘film review’
 

 

SHOWBUZZDAILY FILM REVIEW: “The Hobbit: The Desolation of Smaug”

  As I was saying… THE HOBBIT: THE DESOLATION OF SMAUG:  Worth A Ticket – The Long Road Continues, But This Time On A Better Path Jumping at once to the most pressing matter–which is more than its trilog...
by Mitch Salem
 

 
 

TORONTO FILM FESTIVAL REVIEW: “Third Person”

  There is a reason, or at least an argument, for why almost everything in Paul Haggis’s THIRD PERSON feels synthetic and contrived–but I can’t make it here, because doing so would expose the film’...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Film Review: “The Fault In Our Stars”

  THE FAULT IN OUR STARS:  Worth A Ticket – John Green’s Beloved Book Is Well Treated By the Screen It’s almost impossible to describe the plot of John Green’s YA novel THE FAULT IN OUR STARS witho...
by Mitch Salem
 

 
 

TORONTO FILM FESTIVAL REVIEW: “The Disappearance of Eleanor Rigby: Him and Her”

  THE DISAPPEARANCE OF ELEANOR RIGBY: HIM & HER is an extraordinary feature debut for its writer/director Ned Benson.  Indeed, it’s so remarkable that it comes close to not needing the modifier “debutR...
by Mitch Salem
 

 

 

TORONTO FILM FESTIVAL REVIEW: “The Past”

  Like his Oscar-winning A Separation, Asghar Farhadi’s THE PAST is concerned with the abyss of uncertainty and mystery that lies under seemingly straightforward actions, the ever-increasing complications that bec...
by Mitch Salem
 

 
 

AFI FEST Film Review: “Inside Llewyn Davis”

  INSIDE LLEWYN DAVIS:  Buy A Ticket – 1960s Folk Music A La The Coens INSIDE LLEWYN DAVIS, which screened as the Closing Night presentation of the AFI Film Festival in advance of its regular run next month, is Joe...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Film Review: “Noah”

  NOAH:  Worth A Ticket –The Word According to Darren Aronofsky When Darren Aronofsky decided to follow Black Swan, the biggest hit of his career, with the story of Noah and the Ark, it seemed like a perverse choice...
by Mitch Salem
 

 
 

ShowbuzzDaily Sundance Film Festival Review: “Don’t Worry, He Won’t Get Far On Foot”

  DON’T WORRY, HE WON’T GET FAR ON FOOT (Amazon):  Despite some Christopher Nolan-esque splintering of time, Gus Van Sant’s Don’t Worry, He Won’t Get Far On Foot is one of his more convention...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Toronto Film Festival Review: “Freeheld”

  Events on the same-sex rights front have moved so quickly that FREEHELD, which is based on a true story from 2007, and has been in development almost since it occurred, now feels like something of a history story.  Not ...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Toronto Film Festival Review: “The Martian”

  Ridley Scott’s THE MARTIAN is the jaunty sci-fi offspring of Apollo 13 and McGyver, Scott’s least self-important movie in years and not coincidentally his most enjoyable.  Drew Goddard’s expertly craft...
by Mitch Salem
 

 

 

AFI FEST Film Review: “Lone Survivor”

  LONE SURVIVOR:  Buy A Ticket – A Powerfully Visceral Tale of War Peter Berg’s LONE SURVIVOR, which was shown at the AFI Film Festival tonight in advance of its release late next month, is a docudrama in the ...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Toronto Film Festival Review: “Sicario”

  The director Denis Villenueve has been staking out some interesting Hollywood territory for himself.  His new SICARIO, which debuted at Cannes and screened at the Toronto Film Festival prior to arriving in theatres next...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Film Review: “Frozen”

  FROZEN:  Buy A Ticket – Your Grin Won’t Melt Until It’s Time to Leave A curious shift has been occurring at Disney over the past few years.  Glamor child Pixar has been churning out second-hand blockb...
by Mitch Salem
 

 
 

ShowbuzzDaily Sundance Film Festival Review: “Colette”

  COLETTE (no distrib):  These days, the early 20th Century French writer known as Colette is remembered mostly if at all for having written the story that became the musical Gigi, but her own life proves to be remarkably...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Toronto Film Festival Review: “I Saw the Light”

  Marc Abraham, for his second film as director (prior to that, he was a veteran producer), has chosen his second consecutive mid-20th-century biography, following 2008’s Flash of Genius with I SAW THE LIGHT, which p...
by Mitch Salem