Posts Tagged ‘film review’
 

 

AFI FEST Film Review: “Lone Survivor”

  LONE SURVIVOR:  Buy A Ticket – A Powerfully Visceral Tale of War Peter Berg’s LONE SURVIVOR, which was shown at the AFI Film Festival tonight in advance of its release late next month, is a docudrama in the ...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Toronto Film Festival Review: “Black Mass”

  Scott Cooper’s BLACK MASS is a beautifully put together and wonderfully acted true-life drama about Boston gangsters and the law, but it has a void at its center that holds it back from greatness.  That center isn...
by Mitch Salem
 

 

 

TORONTO FILM FESTIVAL REVIEW: “12 Years A Slave”

  Steve McQueen (the filmmaker) doesn’t take it easy on audiences.  His first feature Hunger provided an excruciatingly detailed look at the fatal hunger strike of the Irish convict Bobby Sands, and he followed it w...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Toronto 2014 Review: “Eden”

  EDEN (IFC):  release date unscheduled – Watch It At Home Notwithstanding its subtitles, the genre of Mia Hanson-Love’s EDEN, which had its world premiere at the Toronto Film Festival, isn’t unfamiliar ...
by Mitch Salem
 

 

 

SHOWBUZZDAILY REVIEW: “Ender’s Game”

  ENDER’S GAME:  Watch It At Home – Breaks The Rules, But Doesn’t Win the Game You don’t often see a $110M (plus marketing) YA adventure, intended to kick off a new movie franchise, as resolutely o...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Film Review: “Jersey Boys”

  JERSEY BOYS:  Watch It At Home – Clint Eastwood Directing the Broadway Hit Is As Weird As It Sounds No one will mistake the combination of Clint Eastwood and JERSEY BOYS for the fortuitous collision of chocolat...
by Mitch Salem
 

 

 

TORONTO FILM FESTIVAL REVIEW: “Third Person”

  There is a reason, or at least an argument, for why almost everything in Paul Haggis’s THIRD PERSON feels synthetic and contrived–but I can’t make it here, because doing so would expose the film’...
by Mitch Salem
 

 
 

TORONTO FILM FESTIVAL REVIEW: “The Disappearance of Eleanor Rigby: Him and Her”

  THE DISAPPEARANCE OF ELEANOR RIGBY: HIM & HER is an extraordinary feature debut for its writer/director Ned Benson.  Indeed, it’s so remarkable that it comes close to not needing the modifier “debutR...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Film Review: “Nebraska”

  NEBRASKA:  Buy A Ticket – A Lovely, Tart Slice of Americana An unusually strong season for American movies continues with the arrival of the simple and profound NEBRASKA, directed by Alexander Payne from a marvelo...
by Mitch Salem
 

 
 

AFI FEST REVIEW: “Saving Mr. Banks”

  SAVING MR. BANKS:  Buy A Ticket – Positively Supercalifragelisticexpialidocious SAVING MR. BANKS , which screened at the AFI Film Festival in Los Angeles last night before opening in theaters next month, is a movi...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Film Review: “Birdman or (The Unexpected Virtue of Ignorance)”

  BIRDMAN or (The Unexpected Virtue of Ignorance):  Worth A Ticket – A Stunt, But An Amazing One Alejandro G. Inarritu’s BIRDMAN is, like this year’s Boyhood, a film defined by its form.  In the case of...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Toronto 2014 Review: “Clouds of Sils Maria”

  CLOUDS OF SILS MARIA (IFC):  no release date scheduled – Watch It At Home Olivier Assayas is a dazzlingly ambitious filmmaker, determined to do something totally different with each project he undertakes.  The re...
by Mitch Salem
 

 

 

TORONTO FILM FESTIVAL REVIEW: “Rush”

  The writer Peter Morgan is a whiz at boring into little-remembered (and in the US, sometimes little-known) crannies of recent history and scooping out the rich drama inside, with scripts like The Deal, Frost/Nixon and Th...
by Mitch Salem
 

 
 

ShowbuzzDaily Sundance Review: “Juliet, Naked”

  JULIET, NAKED (no distrib):  Every Sundance has a title or two that isn’t particularly “indie,” other than by the fact that its stars aren’t hugely bankable.  These aren’t the films that s...
by Mitch Salem
 

 

 

SHOWBUZZDAILY REVIEW: “Robocop”

  ROBOCOP:  Watch It At Home – A Tinny Remake This weekend’s movie openings feature no less than 3 remakes of 1980s hits, with new versions of ROBOCOP, About Last Night and Endless Love arriving at once, but i...
by Mitch Salem