Posts Tagged ‘film review’
 

 

SHOWBUZZDAILY Film Review: “Maleficent”

  MALEFICENT:  Watch It At Home – Only Jolie Casts a Spell The conflicting agendas driving the new MALEFICENT don’t leave much room for the movie itself.  Like Wicked and Once Upon A Time, it’s a revisi...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Toronto Film Festival Review: “I Saw the Light”

  Marc Abraham, for his second film as director (prior to that, he was a veteran producer), has chosen his second consecutive mid-20th-century biography, following 2008’s Flash of Genius with I SAW THE LIGHT, which p...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Sundance Film Festival Review: “I Think We’re Alone Now”

  I THINK WE’RE ALONE NOW (no distrib):  Pop culture seems to have an endless fascination with the post-apocalypse, and I Think We’re Alone Now has plenty of pedigree, hailing from Handmaid’s Tale pilot ...
by Mitch Salem
 

 
 

TORONTO FILM FESTIVAL REVIEW: “Tracks”

  There’s no cutesiness to be found in John Curran’s film TRACKS, a bracingly non-Disneyfied true-life nature tale.  In the mid-1970s, a young Australian woman named Robyn Davidson decided to walk across almo...
by Mitch Salem
 

 

 

TORONTO FILM FESTIVAL REVIEW: “The Past”

  Like his Oscar-winning A Separation, Asghar Farhadi’s THE PAST is concerned with the abyss of uncertainty and mystery that lies under seemingly straightforward actions, the ever-increasing complications that bec...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Film Review: “Tammy”

  TAMMY:  Not Even For Free – Melissa McCarthy Fumbles Her Industry Clout When a star earns hundreds of millions of dollars for Hollywood, it can show its appreciation by handing over the creative reins to the star ...
by Mitch Salem
 

 

 

AFI FEST REVIEW: “Saving Mr. Banks”

  SAVING MR. BANKS:  Buy A Ticket – Positively Supercalifragelisticexpialidocious SAVING MR. BANKS , which screened at the AFI Film Festival in Los Angeles last night before opening in theaters next month, is a movi...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Film Review: “X-Men: Days of Future Past”

  X-MEN:  DAYS OF FUTURE PAST:  Buy A Ticket – For Once, The Script Is As Mighty As the CG After the money-making meatball that was Godzilla, X-MEN: DAYS OF FUTURE PAST serves welcome notice that a movie can cost ...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Toronto Film Festival Review: “Spotlight”

  Awards season is Darwinian, often placing two titles in direct competition that have only general traits in common.  Last year we had the British biographies The Theory of Everything and The Imitation Game, which might ...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Film Review: “Edge of Tomorrow”

  EDGE OF TOMORROW:  Watch It At Home – Needed To Hit Reset One More Time There’s a lot of inventiveness in EDGE OF TOMORROW, which combines the premise of Groundhog Day with a War of the Worlds-like plot̵...
by Mitch Salem
 

 

 

SHOWBUZZDAILY FILM REVIEW: “Blue Is the Warmest Color”

  BLUE IS THE WARMEST COLOR:  Buy A Ticket – A 3-Hour Deep Dive Into A Character’s Soul BLUE IS THE WARMEST COLOR is relentlessly, sometimes suffocatingly intimate.  By that I don’t mean its celebrated,...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Film Review: “Frozen”

  FROZEN:  Buy A Ticket – Your Grin Won’t Melt Until It’s Time to Leave A curious shift has been occurring at Disney over the past few years.  Glamor child Pixar has been churning out second-hand blockb...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Toronto Film Festival Review: “Being Charlie”

  Sadly, the phrase “BEING CHARLIE is Rob Reiner’s best film in years” doesn’t mean nearly as much as it once would have.  After a decade where he could do no wrong, he has, incredibly enough, been...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Toronto 2014 Review: “This Is Where I Leave You”

  THIS IS WHERE I LEAVE YOU (Warners) – Opens September 19 – Worth A Ticket Jonathan Tropper’s very successful day job is writing seriocomic novels about families and romance that are distinguished by the...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Toronto Film Festival Review: “A Tale of Love and Darkness”

  Natalie Portman certainly hasn’t made it easy for herself with her debut as a writer/director, A TALE OF LOVE AND DARKNESS.  The film, which premiered at Cannes (but tellingly, doesn’t yet have a US distribu...
by Mitch Salem