Posts Tagged ‘HBO’
 

 

THE SKED SEASON FINALE REVIEW: “Enlightened”

  I speak–clearly–not as a fan:  ENLIGHTENED was less unbearable in its second season than it was in its first. The show does have its fans, meager in number (fewer than 300,000 viewers watched the initial air...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Season Finale Review: “Big Little Lies”

  It’s odd for a successful TV series to be asked to justify its continued existence, but that’s where HBO’s BIG LITTLE LIES found itself after the network looked at the Season 1 ratings (not just high bu...
by Mitch Salem
 

 

 

THE SKED SEASON PREMIERE REVIEW: “Boardwalk Empire”

  BOARDWALK EMPIRE:  Sunday 9PM on HBO WHERE WE WERE:  Mourning an unexpected death.  In the Season 2 finale of Boardwalk Empire, anti-hero bootlegger Nucky Thompson (Steve Buscemi) murdered his one-time protege, later ...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Virtual Toronto Film Festival Reviews

  This was a Toronto Film Festival unlike any other, and not just because I “attended” it from the laptop in my house.  Toronto has become an important stop on the road to the Academy Awards, with 9 of the pas...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Season Premiere Review: “Westworld”

  WESTWORLD:  Sunday 9PM on HBO   With most other forms of new entertainment content sidelined for at least the next several weeks, television is likely to be even more at the center of our culture than it already is...
by Mitch Salem
 

 
 

The Sked: Cable Ratings June 5-11

HBO’s True Blood premiered its new season with a 2.9 rating with Adults 18-49, about where it left off last season.  The final four episodes last year (Aug 21-Sep 11, 2011): 3.1– 2.9– 2.4– 2.8.  At the...
by Mitch Metcalf
 

 

 

THE SKED SUNDAY CABLE SCORECARD – 10/21/12

  No surprise what’s gnawing at the top of the ratings. AMC:  The typical post-premiere decline for a big returning show seems to have been made up by AMC’s settlement of its lawsuit with DISH Network and the ...
by Mitch Salem
 

 
 

THE SKED @ PALEYFEST2013: “The Newsroom”

  “You can’t fake smart,” Aaron Sorkin noted about his cast of THE NEWSROOM at tonight’s PaleyFest session, and that, along with the presence of real-life cable infortainment host Piers Morgan as mo...
by Mitch Salem
 

 

 

THE SKED’S SUNDAY SCRIPTED CABLE SCORECARD – 4/22/12

> VEEP, properly enough, was #2 on HBO’s Sunday ticket. HBO:  VEEP premiered with a fairly strong 0.6 in 18-49s on its initial Sunday airing, plus another .14 for its repeat later that night (remember, HBO ratings re...
by Mitch Salem
 

 
 

The Sked: Cable Ratings March 27-April 2

>Two polar opposites in terms of programming quality occupy the top of the weekly cable ratings chart.  Two hours of USA’s WWE wrestling extravaganza and HBO’s Game of Thrones each rated a very solid 2.0 rating...
by Mitch Metcalf
 

 

 

THE SKED SEASON FINALE REVIEW: “The Newsroom”

Here’s what Aaron Sorkin’s THE NEWSROOM is, for better and very often for worse:  a deadly serious, indeed doggedly self-righteous, primer on how news should be reported and, by extension, how America should be gov...
by Mitch Salem
 

 
 

The Sked: Cable Ratings April 17-23

>History’s Pawn Stars tops this week’s cable chart, with a 2.0 rating from 10:00-10:30 pm Monday with Adults 18-49.  Usually the 10:30 pm Pawn Stars is slightly higher rated (up a tenth of a rating point or two...
by Mitch Metcalf
 

 

 

SHOWBUZZDAILY Season Finale Review: “Watchmen”

  Damon Lindelof is fascinated by the elements of storytelling, sometimes to the detriment of the story itself.  It was fitting that a motif of WATCHMEN, both in its Alan Moore/Dave Gibbons 1987 graphic novel version and ...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Series Premiere Review: “Watchmen”

  WATCHMEN:  Sunday 9PM on HBO The Damon Lindelof/HBO WATCHMEN provides a new wrinkle to the world of IP exploitation.  It’s not an adaptation of the classic Alan Moore/Dave Gibbons graphic novel (a la Zack Snyder&...
by Mitch Salem
 

 

 

THE SKED PILOT + 1 REVIEW: “Girls”

> A lot can happen between the creation of a TV pilot in the spring and the production of episodes for the regular season: a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have ...
by Mitch Salem