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Behind the US/Worldwide Weekend Box Office – 6.30.2024

  OPENINGS:  A QUIET PLACE: DAY ONE (Paramount) handily exceeded expectations with $53M in the US, better than its predecessors ($50.2M and $47.5M respectively, although Part II earned $57.1M over its 4-day holiday launch...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 5.19.2024

  OPENINGS:  IF (Paramount) was at the low end of projections with $35M, although that was an improvement over where it seemed to be headed after Friday’s $10.4M.  The key was strong family turnout on Saturday, but...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 5.26.2024

  OPENINGS:  It was a bleak Memorial Day weekend at the box office, the worst in decades.  FURIOSA: A MAD MAX SAGA (Warners) limped to a victory for Friday-Sunday with $25.5M, but it may well tumble to 2nd place once the...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 6.2.2024

  OPENINGS:  The major studios abandoned this normally prime summer-season weekend, and a flood of indies rushed in to grab the available theaters.  None were able to capitalize to a particularly notable extent, with the...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 6.9.2024

  OPENINGS:  Hollywood breathed a collective sign of relief as BAD BOYS: RIDE OR DIE (Columbia/Sony) arrived moderately above expectations with $56M.  That was down just 10% from 2019’s Bad Boys For Life (although ...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 6.16.2024

  OPENINGS:  INSIDE OUT 2 (Pixar/Disney) overdelivered massively compared to expectations with $155M in the US, a remarkable $65M higher than the start for 2015’s original Inside Out, and depending whether you count...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 6.23.2024

  OPENINGS:  THE BIKERIDERS (Regency/Focus/Universal) seized the opportunity to open on a prime summer weekend without any new tentpole releases, and the studio estimate (which assumed the strongest Sunday hold in the Top...
by Mitch Salem
 
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