Posts Tagged ‘Inside Out weekend box office’
 

 

Behind the US/Worldwide Weekend Box Office – 8/2/15

  OPENINGS:  MISSION IMPOSSIBLE: ROGUE NATION (Skydance/China Film Channel/Alibaba/Paramount) had a solid Saturday hold, down 3% from Friday, and the studio is projecting a $56M weekend in the US, well ahead of the $47.7M...
by Mitch Salem
 

 
 

Behind the US/Worldwide Weekend Box Office – 7/26/15

  OPENINGS:  PIXELS (Columbia/Sony) isn’t the first Adam Sandler movie to approach a $90M production budget–incredibly, the first Grown Ups reportedly cost that much–but as his audience shrinks, it becom...
by Mitch Salem
 

 

 

Behind the US/Worldwide Weekend Box Office – 7/19/15

  OPENINGS:  ANT-MAN (Marvel/Disney) is claiming a very low 18% Sunday drop in order to reach a $58M weekend estimate, so that number may shrink on Monday.  Even at $58M, Ant-Man opened in the same range as Superman Retu...
by Mitch Salem
 

 
 

Behind the US/Worldwide Weekend Box Office – 7/12/15

  OPENINGS:  MINIONS (Illumination/Universal) had a surprisingly bumpy 16% drop on Saturday, but it will handily become the #2 animated opening of all time, topping Toy Story 3‘s $110.3M, even if the studio’s ...
by Mitch Salem
 

 

 

Behind the US/Worldwide Weekend Box Office – 7/5/15

  OPENINGS:  TERMINATOR: GENISYS (Skydance/Paramount) had hoped, even with July 4th subduing Saturday business, to find a holiday spark that would allow it to earn at least a $150M total in the US, but after a $28.7M open...
by Mitch Salem
 

 
 

Behind the US/Worldwide Weekend Box Office – 6/28/15

  OPENINGS:  TED 2 (MRC/Universal) suffered a 16% Friday-to-Saturday drop, and is currently projected by its studio to have a $33M weekend, down 40% from the $54.4M start for the original Ted 3 years ago.  Overseas, Ted ...
by Mitch Salem
 

 

 

Behind the US/Worldwide Weekend Box Office – 6/21/15

  OPENINGS:  INSIDE OUT (Pixar/Disney) had the largest opening for an animated non-sequel ever at $91.1M.  (Disney is claiming a slightly more abstract record as well, the largest opening for a film that isn’t base...
by Mitch Salem