Posts Tagged ‘midnight’
 

 

SHOWBUZZDAILY BOXOFFICE: Big, Not Colossal, “Avengers” Midnight – 5/3/12

> The Marvel superhero audience likes to get its sleep.  Despite the fact that THE AVENGERS is expected to do record-challenging business this weekend, last night’s midnight screenings totaled $18.7M–a tremendo...
by Mitch Salem
 

 
 

THE BIJOU @ SUNDANCE: Behold the Edgy

> Sundance announced the second group of its 2012 titles today (Competition entries were announced yesterday; Premieres will be unveiled on Monday), mostly in what are traditionally the most untraditional categories of the Fest...
by Mitch Salem
 

 

 

THE BIJOU: Midnight “Paranormal”

> The new PARANORMAL ACTIVITY 3 is off to a good start:  its $8M boxoffice from midnight shows last night was 30% higher than Paranormal 2‘s midnight performance, and in a league with Hangover 2‘s $10.4M, which...
by Mitch Salem
 

 
 

SHOWBUZZDAILY BOXOFFICE: The Dark Knight Rises Amidst Tragedy

  It may be unseemly even to discuss the dollars and cents of movie boxoffice as we all recoil and try to get a grasp on the terrible events that took place in Colorado last night.  Such dreadful aspects of real life shou...
by Mitch Salem
 

 

 

THE BOXOFFICE GAMES BEGIN: “Hunger Games” At Midnight

> THE HUNGER GAMES has an excuse. Last night at midnight, The Hunger Games began its long-awaited run in theatres by grossing $19.7M.  Which is, by any estimation, a lot of money–the most ever earned by a non-sequel,...
by Mitch Salem
 

 
 
 
 
 
 
 

SHOWBUZZDAILY @ SUNDANCE REVIEW: “The Pact”



Genre:

Our Review / 5 - Terrible
by Mitch Salem
0

 

 

SHOWBUZZDAILY BOXOFFICE: “Spider-Man” Starts Swinging At Midnight

  The first real numbers are in for THE AMAZING SPIDER-MAN (Sony) in the US, and they’re… OK. Amazing made $7.5M in midnight screenings last night.  This is nowhere near the Top 10 midnight openings (#10, Reve...
by Mitch Salem
 

 
 

STATUETTE STAKES: The Oscar Race That Wasn’t

> This year’s Academy Awards have so far engendered the kind of enthusiasm and excitement usually associated with a suburban DMV office on a Tuesday afternoon.  People seem to be sullenly resigned to the inevitabilit...
by Mitch Salem
 

 

 

SHOWBUZZDAILY BOXOFFICE: “The Avengers” Awaits the Witching Hour – 5/3/12

> It seems like only yesterday that we were reviewing the records for midnight openings (actually, it was March 23, when The Hunger Games opened with a 7th-highest $19.7M Thursday midnight–the highest ever for a non-seque...
by Mitch Salem
 

 
 

“The Hunger Games” – Key Boxoffice Targets (Pop Culture Apocalypose Minus 1)

> In less than 24 hours, boxoffice figures for tonight’s midnight opening of THE HUNGER GAMES will start to arrive, and after that, the data, analysis and comparisons will be flooding in all weekend.  You can play al...
by Mitch Salem
 

 

 

SHOWBUZZDAILY BOXOFFICE: How High Does Spidey Have To Fly?

  THE AMAZING SPIDER-MAN will begin spinning its midnight webs in just a few hours, so let’s take a quick look at its competition in the midnight screening record books. The Sam Raimi 2002-07 Spider-Man trilogy were ...
by Mitch Salem
 

 
 

THE BIJOU @ TIFF: Midnight Madness – “The Incident”

> As has been reported, there really was an ambulance outside the Ryerson Theatre in Toronto after the midnight premiere of Alexandre Courtes’ THE INCIDENT, there to rescue at least one person who had fainted during the m...
by Mitch Salem
 

 

 
 
 
 
 
 

SHOWBUZZDAILY @ SUNDANCE REVIEW: “V/H/S”



Genre:

Our Review / 5 - Terrible
by Mitch Salem
0

 
 

THE BIJOU: “Immortals” Stay Up Late

> The new 3D action-fest IMMORTALS got off to a reasonably good start with $1.4M in Thursday midnight screenings.  This isn’t anything spectacular, but it’s slightly higher than the $1.3M RISE OF THE PLANET OF ...
by Mitch Salem
 

 

 

SHOWBUZZDAILY @ SUNDANCE REVIEW: “The Pact”

  It takes about an hour, but Nicholas McCarthy’s THE PACT, which premiered in the Park City At Midnight section at Sundance, eventually turns out to have a neat twist up its sleeve, one that switches the movie from ...
by Mitch Salem