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SHOWBUZZDAILY BOXOFFICE: The Dark Knight Rises Amidst Tragedy

  It may be unseemly even to discuss the dollars and cents of movie boxoffice as we all recoil and try to get a grasp on the terrible events that took place in Colorado last night.  Such dreadful aspects of real life shou...
by Mitch Salem
 
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SHOWBUZZDAILY BOXOFFICE: Big, Not Colossal, “Avengers” Midnight – 5/3/12

> The Marvel superhero audience likes to get its sleep.  Despite the fact that THE AVENGERS is expected to do record-challenging business this weekend, last night’s midnight screenings totaled $18.7M–a tremendo...
by Mitch Salem
 
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THE BIJOU @ TIFF: Midnight Madness – “The Incident”

> As has been reported, there really was an ambulance outside the Ryerson Theatre in Toronto after the midnight premiere of Alexandre Courtes’ THE INCIDENT, there to rescue at least one person who had fainted during the m...
by Mitch Salem
 
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THE BIJOU @ SUNDANCE: Behold the Edgy

> Sundance announced the second group of its 2012 titles today (Competition entries were announced yesterday; Premieres will be unveiled on Monday), mostly in what are traditionally the most untraditional categories of the Fest...
by Mitch Salem
 
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SHOWBUZZDAILY @ SUNDANCE REVIEW: “V/H/S”

  V/H/S, which screened as part of Sundance’s Park City At Midnight series, is a gimmick piled upon a gimmick. First is the horror anthology itself, familiar from the Twilight Zone movie and Rod Serling’s Night...
by Mitch Salem
 
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Box Office Footnotes – 6/10/11

> We’ll see if SUPER 8 gets to $40M, but in any case Paramount has done the season’s best job of managing expectations.  Considering that they’ve been throwing millions into promoting the movie since the ...
by Mitch Salem
 
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STATUETTE STAKES: The Oscar Race That Wasn’t

> This year’s Academy Awards have so far engendered the kind of enthusiasm and excitement usually associated with a suburban DMV office on a Tuesday afternoon.  People seem to be sullenly resigned to the inevitabilit...
by Mitch Salem
 
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SHOWBUZZDAILY @ SUNDANCE REVIEW: “The Pact”

  It takes about an hour, but Nicholas McCarthy’s THE PACT, which premiered in the Park City At Midnight section at Sundance, eventually turns out to have a neat twist up its sleeve, one that switches the movie from ...
by Mitch Salem
 
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THE BIJOU @ TIFF: Midnight Madness – “The Raid”

> TIFF’s Midnight Madness program is exactly what you think it is:  10 flat-out, unapologetic genre movies that premiere each night at midnight in front of a raucous crowd at the 1200-seat Ryerson Theatre.  In a...
by Mitch Salem
 
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SHOWBUZZDAILY BOXOFFICE: How High Does Spidey Have To Fly?

  THE AMAZING SPIDER-MAN will begin spinning its midnight webs in just a few hours, so let’s take a quick look at its competition in the midnight screening record books. The Sam Raimi 2002-07 Spider-Man trilogy were ...
by Mitch Salem
 
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THE BIJOU @ TIFF: Midnight Madness – “Sleepless Night”

> When the inevitable US remake of the French thriller SLEEPLESS NIGHT arrives, it’ll benefit from some sharper dialogue (assuming the subtitles in Toronto were fully translating the original), a bit more characterization...
by Mitch Salem
 
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SHOWBUZZDAILY @ SUNDANCE REVIEW: “The Pact”



Genre:

Our Review / 5 - Terrible
by Mitch Salem
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COUNTING TO 10: The Globes – Movies

> Even though the Oscar race has had clear favorites in THE DESCENDANTS, THE ARTIST and THE HELP since last fall, the first 2 haven’t sparked any huge enthusiasm among the general public, where after almost 2 months, Desc...
by Mitch Salem
 
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“The Hunger Games” – Key Boxoffice Targets (Pop Culture Apocalypose Minus 1)

> In less than 24 hours, boxoffice figures for tonight’s midnight opening of THE HUNGER GAMES will start to arrive, and after that, the data, analysis and comparisons will be flooding in all weekend.  You can play al...
by Mitch Salem
 
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Box Office Footnotes – June 25

> CARS 2 overperformed a bit, although $75M isn’t much higher than the original Cars opening ($60M) plus 3D ticket prices.  It should hold well over the holiday weekend (the talking vehicles in Transformers skew a li...
by Mitch Salem
 
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