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THE SHOWBUZZDAILY REVIEW: “Moonrise Kingdom”

  MOONRISE KINGDOM:  Worth A Ticket – The Kingdom is Wes Anderson’s     Wes Anderson seemed to find the perfect vehicle for his particular form of brilliance with 2009’s stop-motion animated Fa...
by Mitch Salem
 
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SHOWBUZZDAILY WEEKEND BOXOFFICE SCORECARD

  Will it really be that happy a Father’s Day?  Almost every movie in the market is estimating an unusually low Sunday drop because of the holiday, although the Father’s Day effect normally helps only all-fami...
by Mitch Salem
 
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SHOWBUZZDAILY WEEKEND BOXOFFICE SCORECARD – 7/15/12

  Everyone enjoys a quiet weekend before the Bat-attack begins at 12:01AM Thursday night. OPENINGS:  The important number for ICE AGE:  CONTINENTAL DRIFT (20th) isn’t the $46M US opening (the lowest of the franchis...
by Mitch Salem
 
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SHOWBUZZDAILY FRIDAY BOXOFFICE SCORECARD – 5/25/12

    J and K aren’t the only ones wearing black today. OPENINGS:  In what’s starting to look like a bad summer for any movie not called The Avengers, MEN IN BLACK 3 (Sony) opened with a subpar $18M on Frid...
by Mitch Salem
 
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SHOWBUZZDAILY FRIDAY BOXOFFICE SCORECARD – 6/22/12

Cartoons rule the multiplex. OPENINGS:  BRAVE (Pixar/Disney), with its $24.5M Friday, had the highest non-sequel opening day for a Pixar film, beating WALL-E‘s $23.2M.  It’s a little behind last year’s Car...
by Mitch Salem
 
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SHOWBUZZDAILY BULLETIN: Preliminary Friday Boxoffice

  Both Warner Bros and the Rentrak organization, which formally reports boxoffice receipts for the studios, have chosen not to announce grosses for this weekend, out of respect for the terrible events that occurred in Colo...
by Mitch Salem
 
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SHOWBUZZDAILY WEEKEND BOXOFFICE SCORECARD – 5/27/12

    Don’t hold your breath for Men In Black 4.   OPENINGS:  The US 3-day weekend numbers on MEN IN BLACK 3 (Sony) are in accord with last night’s lackluster preliminary estimate of $55M.  Sony is pr...
by Mitch Salem
 
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SHOWBUZZDAILY WEEKEND BOXOFFICE SCORECARD – 6/24/12

  OPENINGS:  BRAVE (Pixar/Disney) opened right in the Pixar range at $66.7M.  That’s better than WALL-E ($63.1M), not quite as good as Up ($68.1M).  Those 2 movies ended up with $224M and $293M, respectively, so...
by Mitch Salem
 
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SHOWBUZZDAILY FRIDAY BOXOFFICE SCORECARD – 7/20/12

  No authoritative boxoffice figures will be available until Sunday or Monday, as the studios would prefer that they not be associated with financial issues this weekend.   Although–properly–the focus of the ...
by Mitch Salem
 
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SHOWBUZZDAILY MEMORIAL DAY BOXOFFICE SCORECARD

    Beware of studio estimates and round numbers. OPENINGS:  In order to get MEN IN BLACK 3 (Sony) to a round $70M for the 4-day weekend, the studio had to claim the lowest Monday drop of the market’s Top 9 fil...
by Mitch Salem
 
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SHOWBUZZDAILY EARLY FRIDAY BOXOFFICE REPORT – 6/29/12

  The calendar may say the 4th of July is approaching, but it’s looking an awful lot like Christmas at the boxoffice this weekend.  Preliminary numbers at Deadline have both TED (Universal) and MAGIC MIKE (Warne...
by Mitch Salem
 
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UPDATED: SHOWBUZZDAILY WEEKEND BOXOFFICE SCORECARD – 7/22/12

  All boxoffice figures are unofficial until tomorrow, when the studios will once again admit that they’re in a business designed to make money.  However, numbers have made their way to the outside world, and it see...
by Mitch Salem
 
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SHOWBUZZDAILY FRIDAY BOXOFFICE SCORECARD – 6/1/12

  Vulture picked the wrong weekend to predict Universal’s demise. OPENINGS:  SNOW WHITE AND THE HUNTSMAN (Universal) had a very good $20.3M Friday, and will do better than $50M for the weekend, successfully selling (mal...
by Mitch Salem
 
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EARLY WEEKEND BOXOFFICE SCORECARD – 6/30/12

  And now we know which was more front-loaded. OPENINGS:  According to preliminary numbers at Deadline, TED (Universal) fell 10-15% from Friday to Saturday, which is about the same way the original Hangover played.  The...
by Mitch Salem
 
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SHOWBUZZDAILY FRIDAY BOXOFFICE SCORECARD – 7/27/12

  How much of Friday’s mediocre boxoffice is attributable to a post-Aurora uneasiness about going to multiplexes, how much to competition from the most watched Olympics Opening Ceremonies in history, and how much to ...
by Mitch Salem
 
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