Posts Tagged ‘musical’
 

 

SHOWBUZZDAILY BROADWAY JOURNAL: “Spider-Man: Turn Off the Dark”

> Haven’t all the jokes been made?  In the history of Broadway, there may never have been a show as relentlessly ridiculed as SPIDER-MAN:  TURN OFF THE DARK.  At this point, it may be that the only interest...
by Mitch Salem
 

 
 

THE SKED SEASON PREMIERE REVIEW: “Glee”

  GLEE:  Thursday 9PM on FOX WHERE WE WERE:  Post-graduation, post-national title, watching a lot of regulars on their way out of high school:  Rachel off to NY and NYADA, Kurt to neither, Finn to the Army, Puck to LA, ...
by Mitch Salem
 

 

 

THE SKED SEASON FINALE REVIEW: “Smash”

  And so the curtain drops on the first season of SMASH, which may have set the all-time television speed record for going from shining beacon to punching bag.  Tonight’s season finale, written by now-deposed showru...
by Mitch Salem
 

 
 

Sundance 2023 Reviews: “Flora & Son,” “A Little Prayer” & “The Pod Generation”

  FLORA AND SON (Apple):  John Carney’s Irish dramedy was (with Fair Play) the commercial bonanza of Sundance, reportedly with a $20M pricetag.  It isn’t hard to see why the studio and streamer checkbooks cam...
by Mitch Salem
 

 

 

Toronto Film Festival 2024 Reviews: “Heretic” & “Emilia Perez”

  HERETIC (A24 – Nov. 15):  A nifty piece of philosophical horror from Scott Beck and Bryan Woods, the writers of the original A Quiet Place.  The set-up is almost fairy tale in its simplicity.  A pair of young wo...
by Mitch Salem
 

 
 
 
 
 
 
 

THE BIJOU REVIEW: “Footloose”





Our Review / 5 - Terrible
by Mitch Salem
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THE SKED SEASON FINALE REVIEW: “Glee”

  Which plotline really grabbed you in Season 4 of GLEE?  Was it Rachel’s (Lea Michele) one-episode pregnancy scare?  Her involvement (unwitting) with a male escort?  Was it the weeks of sullen silence between Mr....
by Mitch Salem
 

 
 

SHOWBUZZDAILY BROADWAY JOURNAL: “Follies”

> FOLLIES may be the strangest of all Broadway masterpieces; after 40 years, it’s still the most avant-garde work of Stephen Sondheim’s career. It’s easy enough to make the show sound linear:  set in 1971...
by Mitch Salem
 

 

 

SHOWBUZZDAILY @ TORONTO: “The Sapphires”

  With The Silver-Linings Playbook and now Wayne Blair’s THE SAPPHIRES, Harvey Weinstein may have the feel-good part of the coming awards season locked down.  This slight but charming true story (or at least R...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Series Premiere Review: “Zoey’s Extraordinary Playlist”

  ZOEY’S EXTRAORDINARY PLAYLIST – Sundays 10PM on NBC (starting February 16) In a broadcast network landscape musty with procedurals and the mildest possible sitcoms, NBC deserves credit for commissioning Austi...
by Mitch Salem
 

 

 

THE SKED SEASON FINALE REVIEW: “Glee”

  The remarkable thing is that GLEE was ever a giant mainstream hit in the first place.  When the books are closed on Kevin Reilly’s reign at FOX, great credit will be due to him for daring to go all in on such a st...
by Mitch Salem
 

 
 

THE SHOWBUZZDAILY REVIEW: “Footloose”

  FOOTLOOSE:  Watch It At Home – Faithfully Reproduces the Original For Good and Bad   1980s week at the multiplex continues with a remake of FOOTLOOSE, a trip back to the territory of Herbert Ross’s 1984...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Toronto 2014 Review: “The Last 5 Years”

  THE LAST 5 YEARS (Radius/Weinstein) – release date currently unscheduled – Worth A Ticket Richard LaGravenese’s  film version of Jason Robert Brown’s THE LAST 5 YEARS, which premiered at the Tor...
by Mitch Salem
 

 
 

THE SKED: “Smash” Makes It To Act 2

> SMASH, the ambitious musical drama that was intended from the start to be NBC’s new signature series (even if for some of us, it’s become a bit smudged) has officially been renewed for a 2d season. This was pretty...
by Mitch Salem
 

 

 

THE SHOWBUZZDAILY REVIEW: “Les Miserables”

  LES MISERABLES – Worth A Ticket – One Day More Finally Arrives In light of some of the early reactions, perhaps the most important thing to note about LES MISERABLES the film is that it is, in fact, the f...
by Mitch Salem