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THE SKED MIDSEASON FINALE REVIEW: “Arrow”

  ARROW, CW’s successful new superhero action series, has found its own best secret identity as a quasi-soap, a fact imperfectly illustrated by tonight’s midseason finale. The tactic of conveying a comic book s...
by Mitch Salem
 
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Articles

SKEDBALL: Weekly Sports TV Ratings 3.15-3.21.2021 with TRU Sunday 3/21 added

NOTE: Ratings for TRU on Sunday 3/21/21 are delayed. The chart below will be updated when those numbers become available. have been added (the Oral Roberts-Florida NCAA Basketball Tournament Second Round game).  Here are the f...
by Mitch Metcalf
 
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Articles

THE SKED NETWORK SCORECARD – 12/2/13

  A very big night for The Blacklist, although we won’t know just how big until this afternoon. NBC:  Last night’s preliminary numbers are probably inflated by the local New Orleans station’s coverage of NFL...
by Mitch Salem
 
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Articles

THE SKED: TUESDAY NETWORK SCORECARD – 10/16/12

Last night’s breakout star has a day job.  Someone sign the President to a development deal… in four years. CW:  The gambit of launching EMILY OWENS MD while the debate occupied all the other broadcast networks di...
by Mitch Salem
 
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Articles

Weekend Studio Estimates June 28-30

Based on Friday’s and Saturday’s grosses, Weekend #26 of 2013 now looks like $185 million for the top 12 films, up a bit from yesterday’s $181 million estimate and still very close to the same weekend in recen...
by Mitch Metcalf
 
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Film Festival

SHOWBUZZDAILY @ SUNDANCE 2013: “Ain’t Them Bodies Saints”

  There’s a tendency to compare any slow-moving, beautifully-photographed drama with an abundance of natural imagery to the films of Terence Malick, but that’s unfair to the very particular surreal spirituality...
by Mitch Salem
 
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Current Release

SHOWBUZZDAILY Toronto 2014 Review: “The Judge”

  THE JUDGE (Warners) – Opens October 10 – Watch It At Home Since the first Iron Man opened, Robert Downey Jr. has been one of the world’s biggest (and wealthiest) stars.  But he hasn’t used his su...
by Mitch Salem
 
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Articles

THE SKED THURSDAY NETWORK/WEDNESDAY CABLE SCORECARD – 12/25-26/13

  Because of the holidays, all numbers other than morning network ratings are coming in a day late, so this post combines last night’s network with Wednesday’s cable results. WEDNESDAY CABLE TBS was the unquest...
by Mitch Salem
 
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Reviews

SHOWBUZZDAILY Season Finale Review: “Black-ish”

  Even as other broadcast networks have been backing off their commitment to situation comedy, ABC seems to have possession of the magic formula.  Last season’s The Goldbergs became a genuine hit with a move to Wedn...
by Mitch Salem
 
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Articles

Behind the US/Worldwide Weekend Box Office – 2.23.2020

  OPENINGS:  THE CALL OF THE WILD (20th/Disney) did a bit better than expected at $24.8M, but in the long run that’s not likely to make much difference.  Similarly to Dolittle (although much more quietly), Call of ...
by Mitch Salem
 
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Articles

SHOWBUZZDAILY TUESDAY NETWORK SCORECARD – 1.20.2015

  A truncated night, due to the STATE OF THE UNION ADDRESS. DEMOGRAPHIC DETAIL: For each broadcast program (or hour segment), the chart below displays preliminary key advertiser demographics (adult 18-34, 18-49 and 25-54 ...
by Mitch Metcalf
 
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Articles

SHOWBUZZDAILY’s Saturday 5.14.2022 Top 150 Cable Originals & Network Finals UPDATED

  BROADCAST FINALS:  A synergistic run of CBS/Paramount’s original TOP GUN in advance of the sequel was at 0.27.  NBC’s SNL dipped 0.02 to 0.81.  CW’s originals were at 0.05/0.04.   Broadcast Offi...
by Mitch Metcalf
 
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Articles

UPDATED: SHOWBUZZDAILY’s Top 150 Thursday Cable Originals & Network Finals: 2.18.2021

        NETWORK FINALS:  There were significant adjustments (to the next tenth) for CELEBRITY WHEEL OF FORTUNE and THE HUSTLER.          Broadcast Official Nationals Program Ratings Chart �...
by Mitch Metcalf
 
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Articles

INTERNATIONAL BOX OFFICE through December 16

Latest International Box Office overview.
by Mitch Metcalf
 
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Articles

US/Worldwide Weekend Box Office Report – 5.2.2021

  OPENINGS:  The only wide opening of the aweek was the low-budget horror movie SEPARATION (Open Road), which had a slow start at $1.8M. There were some new limited releases, led by FOUR GOOD DAYS (Vertical) at 298 theatr...
by Mitch Salem
 
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