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INTERNATIONAL BOX OFFICE through January 27

Django Unchained is pouring it on overseas, adding $63 million since last week’s report to $112 million overseas to date and a projected $277 million worldwide.  Les Miserables is slowing down a bit overseas, up $25 mi...
by Mitch Metcalf
 
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Articles

WEEKEND STUDIO ESTIMATES January 25-27

With Saturday’s grosses now tallied, Weekend #4 of 2013 is looking like $88 million for the top 12 films (up significantly from the $80 million estimate yesterday but still down 13% from the comparable weekend average). �...
by Mitch Metcalf
 
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Film Festival

SHOWBUZZDAILY @ SUNDANCE 2013: “Before Midnight”

  The “spoiler” situation with respect to Richard Linklater’s BEFORE MIDNIGHT is a particularly tricky one, because for those passionately invested in the saga that began with 1995’s Before Sunr...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY @ SUNDANCE 2013: “Fruitvale”

  There can’t be very much quibbling about the selection of Ryan Coogler’s very impressive debut film FRUITVALE as tonight’s winner of both the Sundance Dramatic Competition Jury Prize and the Audience ...
by Mitch Salem
 
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Articles

FRIDAY JANUARY 25 BOX OFFICE REPORT

Based on Friday’s grosses, Weekend #4 of 2013 is pretty much a disaster: only $80 million for the top 12 films (20% behind the pace for the same weekend the last few years).   Opening at 3,372 theaters Friday, Hansel an...
by Mitch Metcalf
 
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Film Festival

SHOWBUZZDAILY @ SUNDANCE 2013: “Toy’s House”

  TOY’S HOUSE is a delightful Sundance surprise, a fresh take on adolescent boys coming of age.  The conceit of Jordan Vogt-Roberts’ film, written by Chris Galletta, is that Joe Toy (Nick Robinson), his best ...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY @ SUNDANCE 2013: “In A World…”

  The actress Lake Bell’s feature-film writing/directing debut IN A WORLD… has a fresh slant on showbiz comedy, and it’s both consistently likable and sometimes very funny.  It’s also sloppy, ove...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY @ SUNDANCE 2013: “Sweetwater”

  But for one unfortunately critical element, Logan and Noah Miller’s SWEETWATER (the brothers rewrote a script originally by Andrew McKenzie) is a highly enjoyable darkly comic western, as subsumed in stylized mov...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY @ SUNDANCE 2013: “A.C.O.D.”

  Stu Zicherman’s A.C.O.D. (written by Zicherman and Ben Karlin) suffers a bit from a familiar indie comedy malady:  the conflicting desires to tell meaningful and even dark stories, while at the same time getting ...
by Mitch Salem
 
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Current Release

THE SHOWBUZZDAILY REVIEW: “Parker”

  PARKER:  Watch It At Home – Jason Statham Being Tough (Again), Elevated By Strong Supporting Cast PARKER is what Jack Reacher might have been if it hadn’t been gripped by the excess that accompanies Tom Crui...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY @ SUNDANCE 2013: “Lovelace”

  There are any number of ways the story of Linda Lovelace and Deep Throat could be told to make a potentially fascinating movie, from the sociological to the political, the personal to the satiric.  The laziest–o...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY @ SUNDANCE 2013: “Emanuel & The Truth About Fishes”

  EMANUEL AND THE TRUTH ABOUT FISHES is deeply, satisfyingly strange.  In a way, it’s a validation not just of Sundance, but the whole film festival system that is now our main way of finding out about distinctive ...
by Mitch Salem
 
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Articles

WEEKEND BOX OFFICE PREDICTIONS January 25-27

The fourth weekend of 2013 should total just under $100 million for the top 12 films, a bit off the normal pace for this weekend but close to last year’s tally.  Three new films will open this weekend, none of which have...
by Mitch Metcalf
 
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Current Release

THE SHOWBUZZDAILY REVIEW: “Hansel & Gretel: Witch Hunters”

  HANSEL & GRETEL: WITCH HUNTERS:  Not At Any Price – Audiences Won’t Live Happily Ever After HANSEL & GRETEL: WITCH HUNTERS is mostly terrible, but say this for it:  it’s not terrible like anyt...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY @ SUNDANCE 2013: “Very Good Girls”

  VERY GOOD GIRLS is set in contemporary Brooklyn, but it’s shot (by Bobby Bukowski) with the kind of gauzy glow that suggests a European perfume commercial.  It’s lovely to look at, but also mystifying and u...
by Mitch Salem
 
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