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Behind the US/Worldwide Weekend Box Office – 8.4.2019

  OPENINGS:  HOBBS & SHAW (Universal) dropped 13% on Saturday, considerably less frontloaded than the 31% Saturday drops for the last 2 Fast & Furious titles, The Fate Of the Furious and Furious 7.  Both of those...
by Mitch Salem
 
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SHOWBUZZDAILY’s Studio Summer Movie Guide: 20th Century Fox

  We’re just about 24 hours away from the US arrival of The Amazing Spider-Man 2 and the kick-off of the summer movie season, and in our survey of each studio’s schedule and prospects, we’ve already taken...
by Mitch Salem
 
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EARLY FRIDAY BOX OFFICE: “Inside Out” Takes The Day, But “Jurassic” Lies In Wait

  INSIDE OUT (Pixar/Disney) is in line for the biggest non-sequel opening in the history of animation.  Preliminary numbers at Deadline have it winning Friday with $32.8M (that includes $3.7M from Thursday night), on its ...
by Mitch Salem
 
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EARLY WEEKEND BOX OFFICE: “Lucy” Holds Its Lead Over “Hercules”

  Allaying concerns about word of mouth, LUCY (Universal) held quite well in its 2d day of release, down 10% from Friday to $15M+ (better than some of the summer’s blockbusters, which fell 15% or more), according to ...
by Mitch Salem
 
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Behind the Friday Box Office – 8/22/14

  OPENINGS:  The question for IF I FALL (Warners/MGM), as with any movie that has a high proportion of young female appeal, is just how frontloaded it will turn out to be.  Friday’s $6.8M included $1.1M from Thursd...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 9/4/16

  OPENINGS:  THE LIGHT BETWEEN OCEANS (DreamWorks/Reliance/Participant/Disney) brings to an ignominious end the distribution relationship between DreamWorks and Disney.  Their final shared title disappointed on every lev...
by Mitch Salem
 
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Friday Box Office: “Dunkirk” Victorious, “Girls Trip” Strong, “Valerian” Crashes

  There’s a reason why Christopher Nolan may be, along with James Cameron, the last filmmaker who can truly demand blank checks from Hollywood.  His WWII recreation DUNKIRK (Warners), devoid of name stars (apologies...
by Mitch Salem
 
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EARLY FRIDAY BOX OFFICE: “Transformers” Clanks, “Wonder Woman” Holds, “Big Sick” & “Beguiled” Open Well

  Its studio did everything in its corporate power to keep the quality of TRANSFORMERS: THE LAST KNIGHT (Huahua/Paramount) from infecting ticket sales, preventing any reviews from appearing until the projectors had started...
by Mitch Salem
 
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EARLY FRIDAY BOX OFFICE: “Ghostbusters” No Scare For “Pets”

  The $17.1M opening day (including $3.4M from Thursday night) for GHOSTBUSTERS (Columbia/Sony) reported in preliminary numbers at Deadline would be fine if the movie were at the same budget level as previous Paul Feig/Mel...
by Mitch Salem
 
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EARLY WEEKEND BOX OFFICE: “Turtles” Keep the Lead

  TEENAGE MUTANT NINJA TURTLES (Paramount) held very well on its second day of release, according to preliminary numbers at Deadline and elsewhere.  Its Day 2 drop was in the neighborhood of 15%, which is about as well as...
by Mitch Salem
 
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EARLY FRIDAY BOX OFFICE: “San Andreas” Moves the Richter Scale; “Aloha” Says Goodbye

  SAN ANDREAS (Village Roadshow/Warners) is off to a mid-range start, with preliminary Friday numbers at Deadline giving it a $17.5M opening day (including $3.1M from Thursday night), which is slightly ahead of the $16.6M ...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 6/7/15

  OPENINGS:  SPY (20th) came in at the low end of expectations with $30M–a number that may very well come down tomorrow when actuals are announced, since it assumes an aggressively strong Sunday hold.  Even at $30M...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 6.17.2018

  OPENINGS:  INCREDIBLES 2 (Pixar/Disney) resoundingly became the highest-opening animated film of all time with a giant $180M weekend, more than 30% higher than the $135.1M for Finding Dory.  Its Saturday behaved simila...
by Mitch Salem
 
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