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THE BIJOU @ TIFF: Fernando Meirelles’ “360”

> If Arthur Schnitzler had only been a member of the WGA in 1900, when he wrote the play La Ronde, and he’d had the benefit of the format rights guild members receive today, he and his descendants would be very rich indee...

by Mitch Salem

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THE BIJOU @ TIFF: “The Moth Diaries”

> Mary Harron’s career has previously included such fascinatingly transgressive films as I Shot Andy Warhol, American Psycho and The Notorious Bettie Page, which is the only sensible explanation for the inclusion of her n...

by Mitch Salem

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SHOWBUZZDAILY @ TORONTO:: “Iceman”

Michael Shannon is brilliant in ICEMAN, but it has to be said that he’s brilliant in just about the same way that he was in Take Shelter, in Revolutionary Road, on Boardwalk Empire, and even in The Runaways (althoug...

by Mitch Salem

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THE SHOWBUZZDAILY REVIEW: “The Impossible”

THE IMPOSSIBLE – Worth A Ticket – A Tsunami Film With Both Spectacle and Emotion Director Juan Antonio Bayona has done a spectacular job of re-creating the 2004 Asian tsunami in THE IMPOSSIBLE. Staged...

by Mitch Salem

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THE SHOWBUZZDAILY REVIEW: “On the Road”

ON THE ROAD – Worth A Ticket – Kerouac’s Classic Is Beautiful and Atmospheric But Lacks Urgency ON THE ROAD, as a novel and now as a film adaptation, is so enmeshed with the mythology of the real-life p...

by Mitch Salem

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SHOWBUZZDAILY @ TORONTO: “Much Ado About Nothing”

One of the most charming things about Joss Whedon’s new film of MUCH ADO ABOUT NOTHING, unveiled today at the Toronto Film Festival, is that it’s not out to prove anything. Its actors are garbed in modern dress, and...

by Mitch Salem

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THE BIJOU @ TIFF: O Canadian Titles!

> Although the word “International” is part of the name of the Toronto International Film Festival, it’s still Canada’s premier festival, and naturally features quite a few homegrown films. Some of...

by Mitch Salem

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THE BIJOU @ TIFF: “The Woman In the Fifth”

> Pawel Pawlikowski is a filmmaker whose name deserves to be better known: his films Last Resort and My Summer of Love are small but beautifully realized stories of intricate human emotion. His new picture The Woman In the Fift...

by Mitch Salem

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THE BIJOU @ TIFF: The Road Begins

> In September, SHOWBUZZDAILY will be attending the Toronto International Film Festival (TIFF, for short). This is the first in an intermittent series of pieces about the experience of TIFF-ing. Every film festival has it...

by Mitch Salem

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THE BIJOU @ TIFF: “Peace, Love & Misunderstanding”

> I wasn’t aware that the Toronto Film Festival showed TV pilots until I caught a screening of PEACE, LOVE & MISUNDERSTANDING. As a pilot, Peace certainly has its appeal, with a strong cast that includes Jane Fo...

by Mitch Salem

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SHOWBUZZDAILY @ TORONTO: “The Company You Keep”

As soon as Robert Redford had enough clout to start generating his own movies, he began starring in and often producing some of the best politically-themed films of the 1970s, including The Candidate, Three Days of the Condor�...

by Mitch Salem

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THE BIJOU @ TIFF: Sarah Polley’s “Take This Waltz”

> In just her second feature film as a director (her first was 2006’s Oscar-nominated Away From Her), Sarah Polley demonstrates that she’s already a filmmaker with rare grace and sensuality in TAKE THIS WALTZ, which...

by Mitch Salem

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SHOWBUZZDAILY @ TORONTO: “At Any Price”

With the notable exception of Friday Night Lights, Hollywood has rarely even attempted a serious depiction of life in the American heartland in recent years. More often, the center of the country is a setting for stories of ...

by Mitch Salem

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SHOWBUZZDAILY @ TORONTO: “Great Expectations”

At this point in movie history, it’s beside the point to ask why we even need a new film version of GREAT EXPECTATIONS when David Lean’s 1946 masterpiece still exists. (And for those who want a different slant on ...

by Mitch Salem

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SHOWBUZZDAILY @ TORONTO: “Thanks For Sharing”

Stuart Blumberg’s first film as a director (his screenwriting credits include The Kids Are All Right), THANKS FOR SHARING, never quite manages to solve its own central problem: how to make a sensitive and funny (and not...

by Mitch Salem

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Page 4 of 51 2 345

THE BIJOU @ TIFF: Fernando Meirelles’ “360”

THE BIJOU @ TIFF: “The Moth Diaries”

SHOWBUZZDAILY @ TORONTO:: “Iceman”

THE SHOWBUZZDAILY REVIEW: “The Impossible”

THE SHOWBUZZDAILY REVIEW: “On the Road”

SHOWBUZZDAILY @ TORONTO: “Much Ado About Nothing”

THE BIJOU @ TIFF: O Canadian Titles!

THE BIJOU @ TIFF: “The Woman In the Fifth”

THE BIJOU @ TIFF: The Road Begins

THE BIJOU @ TIFF: “Peace, Love & Misunderstanding”

SHOWBUZZDAILY @ TORONTO: “The Company You Keep”

THE BIJOU @ TIFF: Sarah Polley’s “Take This Waltz”

SHOWBUZZDAILY @ TORONTO: “At Any Price”

SHOWBUZZDAILY @ TORONTO: “Great Expectations”

SHOWBUZZDAILY @ TORONTO: “Thanks For Sharing”

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