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THE BIJOU @ TIFF: Michel Hazanavicius’ “The Artist”

> The Artist is a beautiful film hot-house flower, designed to flourish in the rarefied atmosphere of festivals and gatherings of cineastes. It’s a curio that will be cherished by some, and probably ignored by most of the...
by Mitch Salem
 
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THE BIJOU @ TIFF: Midnight Madness – “The Raid”

> TIFF’s Midnight Madness program is exactly what you think it is:  10 flat-out, unapologetic genre movies that premiere each night at midnight in front of a raucous crowd at the 1200-seat Ryerson Theatre.  In a...
by Mitch Salem
 
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SHOWBUZZDAILY @ TORONTO: “Argo”

At this point, with 3 first-rate films to his name, it’s time to stop remarking on how surprising it is that Ben Affleck is a major American filmmaker and just accept that he is one.  His latest, ARGO, is his best yet, ...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY @ TORONTO: “Much Ado About Nothing”

One of the most charming things about Joss Whedon’s new film of MUCH ADO ABOUT NOTHING, unveiled today at the Toronto Film Festival, is that it’s not out to prove anything. Its actors are garbed in modern dress, and...
by Mitch Salem
 
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UPDATED: SHOWBUZZDAILY @ TORONTO: “Silver Linings Playbook” & “Seven Psychopaths” Take the Prizes

  It’s a very good weekend to be a Weinstein.  First Weinstein Company’s The Master set new per-theatre records for a live-action movie release without a stage show, and now the tidings from Toronto are lined ...
by Mitch Salem
 
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THE BIJOU @ TIFF: Judgment Day

> At 7AM today (East Coast time), the Toronto International Film Festival opened its boxoffice for single ticket sales, package orders having been filled a couple of days ago.  As usual, the result was chaos:  if you ...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY @ TORONTO: “Writers”

  WRITERS is considered an “independent” movie because it was made without big-studio financing and because its stars (Greg Kinnear, Jennifer Connelly, Kristen Bell) are familiar faces, but not at the level th...
by Mitch Salem
 
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THE BIJOU @ TIFF: The Road Begins

> In September, SHOWBUZZDAILY will be attending the Toronto International Film Festival (TIFF, for short).  This is the first in an intermittent series of pieces about the experience of TIFF-ing. Every film festival has it...
by Mitch Salem
 
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THE BIJOU @ TIFF: Francis Ford Coppola’s “Twixt”

> It’s anyone’s guess why Francis Ford Coppola, at the age of 72, with some enduring cinema classics to his name, would decide to make a movie that’s a cross between a David Lynch retread, an old horror cheapi...
by Mitch Salem
 
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THE BIJOU @ TIFF: Midnight Madness – “Sleepless Night”

> When the inevitable US remake of the French thriller SLEEPLESS NIGHT arrives, it’ll benefit from some sharper dialogue (assuming the subtitles in Toronto were fully translating the original), a bit more characterization...
by Mitch Salem
 
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THE BIJOU @ TIFF: Yet More Titles

> See also: THE BIJOU @ TIFF:  FIRST TITLES ANNOUNCEDTHE BIJOU @ TIFF:  FESTIVAL TITLES, ROUND TWOTHE BIJOU @ TIFF:  O CANADIAN TITLES! The Toronto International Film Festival prides itself on being one of the mo...
by Mitch Salem
 
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Film Festival

THE SHOWBUZZDAILY REVIEW: “On the Road”

  ON THE ROAD – Worth A Ticket – Kerouac’s Classic Is Beautiful and Atmospheric But Lacks Urgency ON THE ROAD, as a novel and now as a film adaptation, is so enmeshed with the mythology of the real-life p...
by Mitch Salem
 
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THE BIJOU @ TIFF; Collected Reviews

>Click below for all SHOWBUZZDAILY‘s collected Toronto Film Festival reviews, in alphabetical order: 360 50/50 ALBERT NOBBS THE ARTIST BUTTER DAMSELS IN DISTRESS THE DEEP BLUE SEA THE DESCENDANTS DRIVE HICK THE IDES OF MA...
by Mitch Salem
 
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THE BIJOU @ TIFF: “The Moth Diaries”

> Mary Harron’s career has previously included such fascinatingly transgressive films as I Shot Andy Warhol, American Psycho and The Notorious Bettie Page, which is the only sensible explanation for the inclusion of her n...
by Mitch Salem
 
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THE BIJOU @ TIFF: Sarah Polley’s “Take This Waltz”

> In just her second feature film as a director (her first was 2006’s Oscar-nominated Away From Her), Sarah Polley demonstrates that she’s already a filmmaker with rare grace and sensuality in TAKE THIS WALTZ, which...
by Mitch Salem
 
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