Posts Tagged ‘TIFF’
 

 

THE BIJOU @ TIFF: Midnight Madness – “The Raid”

> TIFF’s Midnight Madness program is exactly what you think it is:  10 flat-out, unapologetic genre movies that premiere each night at midnight in front of a raucous crowd at the 1200-seat Ryerson Theatre.  In a...
by Mitch Salem
 

 
 

THE BIJOU @ TIFF: “Ten Year”

> TEN YEAR, which premiered tonight at the Toronto Film Festival, is one of the few festival movies that has the feel of a potential hit.  This is because, apart from its hugely engaging cast and, to be sure, some effectiv...
by Mitch Salem
 

 

 

THE BIJOU @ TIFF: Fernando Meirelles’ “360”

> If Arthur Schnitzler had only been a member of the WGA in 1900, when he wrote the play La Ronde, and he’d had the benefit of the format rights guild members receive today, he and his descendants would be very rich indee...
by Mitch Salem
 

 
 

SHOWBUZZDAILY @ TORONTO: “End of Watch”

  David Ayer’s END OF WATCH brings a new wrinkle to the “found-footage” genre by using it in a cop movie.  LAPD Officer Brian Taylor (Jake Gyllenhaal) wires a camera to his uniform, and constantly photog...
by Mitch Salem
 

 

 

THE SHOWBUZZDAILY REVIEW: “Silver Linings Playbook”

  SILVER LININGS PLAYBOOK:  Don’t Get Sold Out – A Rom-Com With Dance Moves All Its Own Anyone who doubts that Jennifer Lawrence is a real-thing, big-time movie star should get thee hence to a theater showing ...
by Mitch Salem
 

 
 

THE BIJOU @ TIFF: “Butter”

> Jim Field Smith’s comedy BUTTER, which premiered at the Toronto Film Festival, ambitiously makes a play for both the heartwarming indie Little Miss Sunshine audience and the satire-minded Election crowd.  That may ...
by Mitch Salem
 

 

 

THE BIJOU @ TIFF: “The Woman In the Fifth”

> Pawel Pawlikowski is a filmmaker whose name deserves to be better known: his films Last Resort and My Summer of Love are small but beautifully realized stories of intricate human emotion. His new picture The Woman In the Fift...
by Mitch Salem
 

 
 

THE BIJOU @ TIFF: “Your Sister’s Sister”

> Lynn Shelton’s Humpday in 2009 was one of the most engaging pictures to come out of the mumblecore movement (“mumblecore,” for the uninitiated = ultra-low-budget, small scale film with dialogue mostly improv...
by Mitch Salem
 

 

 

THE BIJOU @ TIFF: “Hick”

> Derick Martini’s HICK is like a Sundance movie that took the wrong indie-film exit and wound up in Toronto.  For whatever reason, Toronto’s film festival tends to find itself with fewer stories of young peopl...
by Mitch Salem
 

 
 

THE BIJOU @ TIFF: Werner Herzog’s “Into the Abyss”

> Welcome to SHOWBUZZDAILY’s coverage of the Toronto International Film Festival, where the reviews will be as plentiful as we can cram into a week. TIFF started things off on a less-than-festive note with Werner Herzog&#...
by Mitch Salem
 

 

 

THE BIJOU @ TIFF; Collected Reviews

>Click below for all SHOWBUZZDAILY‘s collected Toronto Film Festival reviews, in alphabetical order: 360 50/50 ALBERT NOBBS THE ARTIST BUTTER DAMSELS IN DISTRESS THE DEEP BLUE SEA THE DESCENDANTS DRIVE HICK THE IDES OF MA...
by Mitch Salem
 

 
 

SHOWBUZZDAILY @ TORONTO: Festival Preview

  The Toronto International Film Festival is, of the major North American festivals, by far the most pleasant to attend.  Its line-up of films and clout are matched only by Sundance’s, and it substitutes balmy 70 de...
by Mitch Salem
 

 

 

THE BIJOU @ TIFF: “Drive”

> DRIVE is a self-conscious genre movie, and those are tricky propositions.  On the one hand, you need to make your existential or other textual statement with all the artistry at your command; on the other, you still have...
by Mitch Salem
 

 
 

SHOWBUZZDAILY @ TORONTO: “Something In the Air” and “Ginger and Rosa”

Toronto this year provided two notable portraits of teenagers growing up in a time of political turmoil, Olivier Assayas’s SOMETHING IN THE AIR and Sally Potter’s GINGER AND ROSA. Assayas’s film is about th...
by Mitch Salem
 

 

 

THE SHOWBUZZDAILY REVIEW: “Cloud Atlas”

  It isn’t often that one needs to invoke Intolerance to describe a current film, but CLOUD ATLAS demands it.  Like D.W. Griffith’s epic, it intercuts between stories taking place across hundreds of years o...
by Mitch Salem