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THE SKED’S SUNDAY SCRIPTED CABLE SCORECARD – 4/22/12

> VEEP, properly enough, was #2 on HBO’s Sunday ticket. HBO:  VEEP premiered with a fairly strong 0.6 in 18-49s on its initial Sunday airing, plus another .14 for its repeat later that night (remember, HBO ratings re...
by Mitch Salem
 
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THE SKED’S MONDAY NETWORK SCORECARD – 4/23/12

> SMASHWatch likes it when Castle and Hawaii 5-0 take the night off. NBC:  Last night’s episode of SMASH, written by (soon to be ex-) showrunner Theresa Rebeck, featured a Bollywood fantasy number, a plot to undermin...
by Mitch Salem
 
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The Sked: MONDAY RATINGS April 23

> CBS took the night off last night with repeats, allowing NBC and ABC to rise one tenth of a rating point from last Monday, while FOX increased two tenths of a rating point to third place.         &nbs...
by Mitch Metcalf
 
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The Sked: Spring Broadcast Ratings–Yes, There Is a Problem

>The New York Times recently ran a story about slumping ratings for the broadcast networks, drawing an immediate response by Bill Gorman of tvbythenumbers.com:  “You can always count on Bill Carter of the New York Ti...
by Mitch Salem
 
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THE SKED’S SUNDAY NETWORK SCORECARD – 4/22/12

> Clip shows aren’t what they used to be. FOX:  The network tipped off that it knew its 25TH ANNIVERSARY SPECIAL wouldn’t be much of an event by airing it on the last pre-Sweeps Sunday of the season.  The ...
by Mitch Salem
 
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The Sked: SUNDAY RATINGS April 22

>Another Sunday without a network averaging over a 2 rating.  Amazing Race continues to shine for CBS, but NYC 22 is slipping away quickly in its second telecast.  ABC’s Once Upon a Time remains the top-rated sh...
by Mitch Metcalf
 
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THE SKED’S FRIDAY NETWORK SCORECARD – 4/20/12

> Network TV takes a snooze. FOX:  On a night when no show on any broadcast network rated higher than 1.4, the closest thing to an event was THE FINDER rising to 1.2 from the previous week’s 0.9.  This is almost...
by Mitch Salem
 
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THE SKED’S THURSDAY NETWORK SCORECARD – 4/19/12

> When you’re NBC, even a 1.8 rating can look good. NBC:  PARKS & RECREATION returned to the schedule last night in the 9:30PM slot, with a 1.8 that was far better than the 1.2-1.5 that Up All Night had been gett...
by Mitch Salem
 
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The Sked: THURSDAY RATINGS April 19

>American Idol resumed its downward drift (after a brief uptick last week) and Touch set a new low, but FOX still won the night with CBS in repeats and ABC and NBC in originals.               ...
by Mitch Metcalf
 
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THE SKED’S WEDNESDAY NETWORK SCORECARD – 4/18/12

> Viewers didn’t flee from The B—. ABC:  DON’T TRUST THE B— IN APT 23 held almost the same proportion of the MODERN FAMILY audience as it did with last week’s premiere (and a slightly higher p...
by Mitch Salem
 
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The Sked: WEDNESDAY RATINGS April 18

>Don’t Trust the B- in Apt 23 had an okay second outing last night, while Revenge returned acceptably at best.  American Idol dropped again this week (after a brief bout of stability last Wednesday), but Idol remains...
by Mitch Metcalf
 
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THE SKED’S TUESDAY NETWORK SCORECARD – 4/17/12

> Another experiment fails. ABC:  PRIVATE PRACTICE has been comfortably successful on Thursdays, in the shelter of older sibling Grey’s Anatomy. but the network’s attempt to try it out on Tuesday nights–w...
by Mitch Salem
 
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The Sked: TUESDAY RATINGS April 17

>Last night every network was down from last week despite only one network (CBS) airing mostly repeats.  It’s a battle of mediocrity on Tuesday nights, with only half a rating point separating first place (2.4) from ...
by Mitch Metcalf
 
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The Sked: Cable Ratings April 10-16

>The top few programs on cable this week were generally good enough for third place in their time periods, including broadcast competition.  The 10:30 pm edition of Pawn Stars on History Monday hit a 1.8 rating with Adults...
by Mitch Metcalf
 
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Cable Ratings

THE SKED’S SUNDAY SCRIPTED CABLE SCORECARD – 4/15/12

> GIRLS doesn’t earn an HBO throne. HBO:  GIRLS received largely rhapsodic reviews, and those are critically important at HBO–if the show’s quality stays strong, it could easily be in line for Best Comedy...
by Mitch Salem
 
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