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THE SKED SEASON FINALE REVIEW: “Bunheads”

  It helps if you think of BUNHEADS as a CG special effects spectacle, except in this case the CG special effects and spectacle are all in the sound of Amy Sherman-Palladino’s dialogue.  Either you love herrapid-f...
by Mitch Salem
 
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THE SKED’S PILOT + 1 REVIEW: “Work It”

> (RATINGS NOTE:  THE TIME-SLOT FOR ABC’S 2D EPISODE OF WORK IT BEGAN WITH A 3-MINUTE LAST MAN STANDING OVERRUN ON THE EAST COAST, WHICH MAY MAKE OVERNIGHT RATINGS LESS ACCURATE THAN USUAL.) A lot can happen between ...
by Mitch Salem
 
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THE SKED’S PILOT + 1 REVIEW: “Alcatraz”

> Previously… On ALCATRAZ:  San Francisco cop Rebecca Madsen (Sarah Jones), whose partner was recently killed, finds herself embroiled in a mysterious case in which an Alcatraz inmate from 40 years ago, apparently lo...
by Mitch Salem
 
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THE SKED SEASON PREMIERE REVIEW: “Covert Affairs”

  COVERT AFFAIRS:  Tuesday 10PM on USA   WHERE WE WERE:  At the CIA, where Annie Walker (Piper Perabo), the young, beautiful languages expert who supposedly works for the Smithsonian, is actually an agent.  (She me...
by Mitch Salem
 
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THE SKED SEASON PREMIERE: “Justified”

> FX’s Elmore Leonard-inspired crime drama JUSTIFIED really hit its stride in its second season last year, and now it’s back, trying to build on that very solid success. WHERE WE LEFT OFF:  The redoubtable Mags...
by Mitch Salem
 
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THE SKED SEASON FINALE REVIEW: “A Gifted Man”

> When A GIFTED MAN came onto the scene, it had all the high-class auspices a new series could want.  The pilot was directed by Academy Award-winner Jonathan Demme, was written by Susannah Grant (Eric Brockovich) and had a...
by Mitch Salem
 
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THE SKED SEASON FINALE REVIEW: “The Good Wife”

> The title “Best Drama On Network Television” used to mean a lot more than it does these days (what’s the competition?  Parenthood has lovely moments but also its share of contrivances; Fringe and The Va...
by Mitch Salem
 
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THE SKED’S PILOT + 1 REVIEW: “Suburgatory”

> A lot can happen between the creation of a TV pilot in the spring and production of episodes for the regular season:  a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may hav...
by Mitch Salem
 
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THE SKED REVIEW: BBCA’s “The Hour”

> THE HOUR:  Wednesday 10PM on BBCAmerica:  Potential DVR Alert Here’s what’s wrong with BBCAmerica. Don’t get me wrong:  it’s marvelous that BBCA exists to bring us shows like Luther, the...
by Mitch Salem
 
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THE SKED PILOT REVIEW: “Touch”

> TOUCH:  Mondays 9PM on FOX, starting March 19 – Change the Channel FOX’s new series TOUCH got off to a very good start in the ratings with a “preview” episode last week (having American Idol as a ...
by Mitch Salem
 
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THE SKED SEASON FINALE WATCH; “The League”

> WARNING:  If You Watch THE LEAGUE For Its Plot Revelations(?), Spoilers Below THE LEAGUE is no longer the best sitcom on TV that no one’s ever heard of.  The show has become consistently, increasingly popular,...
by Mitch Salem
 
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THE SKED SEASON FINALE REVIEW: “Happy Endings”

> It’s not all that unusual for a situation comedy to change directions in the midst of its initial season and emerge a different, and better, show:  The Office and Parks & Recreation both took that journey (the ...
by Mitch Salem
 
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THE SKED SEASON FINALE REVIEW: “Parks & Recreation”

  If NBC’s Thursday night sitcoms were a movie about college roommates, The Office would be the one who doesn’t study or do the work but still gets better grades than anyone else, 30 Rock would be the teacher&#...
by Mitch Salem
 
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THE SKED REVIEW: “Hatfields & McCoys” Episode 2

  The second 2-hour chunk of the newly anointed most popular scripted show in the history of basic cable, History’s HATFIELDS & MCCOYS, was much like the first episode:  a strong opening hour followed by a secon...
by Mitch Salem
 
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THE SKED PILOT REVIEW: “House Of Lies”

> HOUSE OF LIES – Sundays 10PM on Showtime – If Nothing Else Is On… Showtime took a major step forward this season with its gripping new drama series Homeland, a show worthy of being mentioned with anything on...
by Mitch Salem
 
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