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Posts Tagged ‘Zero Dark Thirty’
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WEEKEND BOX OFFICE PREDICTIONS January 11-13

The second weekend of 2013 should total about $122 million for the top 12 films, a little better than the same weekend the last few years but below the comparable weekend in 2009 and 2010.  Zero Dark Thirty moves from the art ...
by Mitch Metcalf
 
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WEEKEND STUDIO ESTIMATES January 4-6

Based on Friday’s and Saturday’s grosses, Weekend #1 of 2013 is now on pace for $126 million, a touch stronger than it looked yesterday and still very much line with the comparable weekend in previous years.  Both ...
by Mitch Metcalf
 
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THE SHOWBUZZDAILY 10 BEST FILMS OF 2012

  2012 was, in the end, a very good year for movies–or a a good half-year, more accurately.  With the studios continuing to load their best efforts into the festival- and awards-heavy fall and winter part of the cal...
by Mitch Salem
 
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THE SHOWBUZZDAILY HOLIDAY MOVIE GUIDE

  The year-end movies are almost all out now (2012’s final limited release, PROMISED LAND, opens on Friday), so here’s a handy capsule guide to what’s worth seeing at the multiplex-and what isn’t. ...
by Mitch Salem
 
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BEHIND THE FRIDAY BOXOFFICE – 12/14/12

  OPENINGS:  This weekend consists of THE HOBBIT: AN UNEXPECTED JOURNEY (Warners/MGM) and then everything else.  Hobbit set a December opening day record with $37.5M, and it will set the opening weekend record for the mo...
by Mitch Salem
 
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The Weekend in Critics Awards

  The big prizes this weekend were the Los Angeles Film Critics Association awards, LAFCA has a habit of showcasing its iconoclasm (the organization has only given its Best Picture prize to the eventual Oscar winner once i...
by Mitch Salem
 
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CRITICS AWARDS: The National Board of Review’s Day

  The National Board of Review is an organization whose members are largely unknown (and the opinions of whom are of zero interest), with an existence that gets noticed on exactly one day of the year, like that one groundh...
by Mitch Salem
 
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CRITICS AWARDS: “Zero Dark” Fires the First Shot

  Year-end awards from critics groups have two purposes in the big-picture (which is to say the Oscar) context.  In the aggregate, if enough of the groups are in agreement to form a consensus, they can make an accolade se...
by Mitch Salem
 
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