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February 5, 2017
 

Year to Date Box Office & Worldwide Studio Scorecard 2.5.2017

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Written by: Mitch Metcalf
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WORLDWIDE STUDIO SCORECARD.  Updated look at 2016 films by studio.  We will begin tracking the 2017 slate in a few weeks.

 

Studio YTD 2016 as of 2017 Feb 05

YEAR TO DATE BOX OFFICE. Looking at North American box office, 2017 to date is now +8% above last year and now +12% above the average for this point the past four years ($0.858 billion).  Over the same period, Hollywood films have grossed over $2.4 billion worldwide when we add overseas box office (that’s +11% above the comparable worldwide box office last year at this stage and -4% below 2015).

A reminder: we define the start of each year as the first Monday after New Year’s Day, and our year ends on the Sunday after New Year’s Day the following calendar year.  (The most recent week’s numbers are based on weekend estimates, which are usually at worst a couple of percentage points off from the final weekend tallies.) 

Box Office YEAR TO DATE
(billions) Weeks 1-5
North America Worldwide
2017 $0.963 $2.432 Jan 2-Feb 5
2016 $0.889 $2.193 Jan 4-Feb 7
2015 $0.936 $2.546 Jan 5-Feb 8
2014 $0.857 $2.161 Jan 6-Feb 9
2013 $0.751 n/a Jan 7-Feb 10

The past six weeks in North America are now up +7% from the same period last year (14 points better than last week, swinging from -7% last week) and now up +20% from the four-year average for the similar six-week period ($1.195 billion), 10 points better than last week.

North American Box Office PAST SIX WEEKS
(billions)
2017 $1.429 since Dec 26
2016 $1.331 since Dec 28
2015 $1.259 since Dec 29
2014 $1.155 since Dec 30
2013 $1.033 since Dec 31

 

WORLDWIDE GROSSES BY FILM TITLE.  Here are the updated 2016 film rankings.  We will begin tracking films released wide in 2017 in a few weeks.

International 2016 through 2017 Feb 05

 

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About the Author

Mitch Metcalf
MITCH METCALF has been tracking every US film release of over 500 screens (over 2300 movies and counting) since the storied weekend of May 20, 1994, when Maverick and Beverly Hills Cop 3 inspired countless aficionados to devote their lives to the art of cinema. Prior to that, he studied Politics and Economics at Princeton in order to prepare for his dream of working in television. He has been Head of West Coast Research at ABC, then moved to NBC in 2000 and became Head of Scheduling for 11 years.