Based on Friday’s grosses, Weekend #47 is now on pace to exceed the multi-year average for this weekend by over 20% — a much stronger pace than the Wednesday-Thursday pre-weekend box office suggested. Rise of the Guardians from Paramount/ DreamWorks opened with $8.6 million Wednesday-Thursday and added $9.3 million Friday, putting it on pace for […]
Based on Friday’s grosses, Weekend #26 of 2013 looks like an okay $181 million for the top 12 films, even with or slightly down from the same weekend in recent years. Not a bad weekend at all, just not the blistering pace of the last two weekends. Opening at 3,181 theaters Friday, The Heat from 20th Century Fox […]
Based on Friday’s grosses, weekend #37 of 2014 looks like $78 million for the top 12 films Friday-Sunday, 6% below the norm for this weekend ($83 million) and better than we forecast. Opening at 2,175 theaters, No Good Deed from Sony/Screen Gems grossed $8.8 million Friday and is on track for a $24.7 million opening three-day weekend (well above our $16.0 […]
Based on Friday’s grosses, weekend #17 of 2015 looks like $81 million for the top 12 films Friday-Sunday, well below the norm for this weekend. Opening at 2,991 theaters Friday, The Age of Adaline from Lionsgate is on track for a $12.2 million opening three-day weekend (somewhat above our $10.5 million ShowBuzzDaily forecast earlier this week). The film is pacing toward a […]
THE REVENANT (Regency/20th) is showing impressive strength in its first day of wide release, after 2 strong weeks at NY/LA arthouses. Preliminary numbers at Deadline give it $14M+ on Friday, putting it surprisingly into 1st place and confirming that Leonardo DiCaprio is one of the few “movie stars” these days who actually sells tickets. […]
The negligible horror cheapie INCARNATE (High Top/Blumhouse/Universal) is the only new wide opening of the post-Thanksgiving weekend, and with just $800K on Friday according to preliminary numbers at Deadline and a weekend that may not break $2M, even the ultra-low budget Blumhouse division may not be able to find any shred of profit from […]
There’s a reason why Christopher Nolan may be, along with James Cameron, the last filmmaker who can truly demand blank checks from Hollywood. His WWII recreation DUNKIRK (Warners), devoid of name stars (apologies to Harry Styles) but riding a tide of Oscar-level reviews, is already overperforming expectations with a $19.8M opening day (including $5.5M […]
THE UPSIDE (STX/Lantern) survived the wreckage of the Weinstein Company bankruptcy, and found an opening between the end of the holiday movie season and next week’s MLK weekend, poking through with what preliminary numbers at Deadline put at a Friday-winning $7M (including $1.1M from Thursday night). That should propel it to a weekend win […]