OPENINGS: GUARDIANS OF THE GALAXY VOL 3 (Marvel/Disney) launched with $114M in the US, within tracking expectations but 22% lower than 2017’s Guardians 2, despite marketing that emphasized the end of a beloved (sub-)franchise. Guardians 2 ended with a 2.66 multiple to its opening, and if Guardians 3 performs the same way, its US total […]
2013 is turning into a photo finish. The worldwide studio tallies below are for total box office performance of the films released wide sometime in 2013, so we are still counting up the figures for movies released late in the year. Warner Brothers and Disney are separated by only $9 million. Warner Brothers is actually […]
WORLDWIDE STUDIO SCORECARD. Here is an updated look at the 2018 film slates by studio. The studio totals also include 2018 dollars for films released in late 2017. YEAR TO DATE BOX OFFICE. Looking at North American box office, 2018 to date is now +6% above last year and now +16% above the average for this point […]
OPENINGS: The entertainment business revolves these days around IP, but not all franchises are created equal, and there turned out to be a thunderous lack of interest in TERMINATOR: DARK FATE (Skydance/Tencent/20th/Disney/Paramount), which opened to just $29M in the US against production/marketing costs of $300M+. A big-budget action epic in that predicament normally hopes […]
OPENINGS: The weekend’s awful weather is being given the blame for a subpar Christmas holiday box office, but the fact remains that audiences appeared unenthused (or worse) about the new offerings. PUSS IN BOOTS: THE LAST WISH (DreamWorks Animation/Universal) fared best, with $11.4M for the 3-day weekend, $17.8M with Monday, and $24.6M since its […]
WORLDWIDE STUDIO SCORECARD. Here is an updated look at the 2019 film slates by studio. BOX OFFICE. Looking at North American box office, 2019 is still -5% below last year’s comparable span and now even with this point the past four years ($6.705 billion). Over the same period, Hollywood films have grossed over $17.7 billion […]
OPENINGS: HAPPY DEATH DAY (Blumhouse/Universal) opened so well at $26.5M that inevitably, despite the fact that it appears to tell a completely closed-end story, talk of a franchise has started. You can’t blame them: Death Day isn’t quite at the blockbuster level of Blumhouse’s Split ($40M) or Get Out ($33.4M), but it’s starting better […]
Updated international box office chart: