OPENINGS: The only new arrival in wide US release was the woebegone VOYAGERS (Lionsgate), which got a minimal push from its studio and opened at a low $1.4M, fated for $5M or so in the US. The major new international opening was MORTAL KOMBAT (Warners), which brought in $10.7M from 17 territories. It opens […]
WORLDWIDE STUDIO SCORECARD. The 2014 Scorecard, updated with additional overseas grosses, has been updated below. The 2015 Scorecard will be introduced toward the end of January. YEAR TO DATE BOX OFFICE. Looking at North American box office, 2015 (one full week young) is -14% behind last year and -13% below the average for this point […]
Updated International chart:
OPENINGS: There have been a lot of busted franchises this summer, but ANNABELLE: CREATION (New Line/Warners) held strong, with a $35M opening weekend that was down just 5% from the first Annabelle. The new entry is considerably more frontloaded than the first, down 22% on Saturday compared to 10%, which may mean a US […]
WORLDWIDE STUDIO SCORECARD. Updated look at 2016 by studio. YEAR TO DATE BOX OFFICE. Looking at North American box office, 2016 to date is still +3% above last year and now +5% above the average for this point the past four years ($6.592 billion). Over the same period, Hollywood films have grossed $17.3 billion worldwide when we […]
This weekend was fine… but just wait till next week. OPENINGS: Polarizing, controversial, dark, revisionist, divisive–and a hit. NOAH (Paramount/Regency) took in $44M in the US this weekend after a 16% Saturday bump. That already makes it Darren Aronofsky’s 2d biggest hit after Black Swan. Of course, it’s also by far his most expensive film, […]
OPENINGS: THE LONGEST RIDE (20th) tried to counterprogram Furious 7 with a Nicholas Sparks romance, but didn’t even muss the blockbuster’s hair with a $13.5M opening. That’s better than the lousy $10M start for last year’s Sparks adaptation The Best Of Me, and that’s the sum total of the positives in the context of other […]
WORLDWIDE STUDIO SCORECARD. Year to date, Warner Brothers has moved well ahead of its competing studios, thanks to two bona fide hits to balance two strikeouts. Sony and Universal, the next level down each with around $450 million worldwide to date, has a similar hit and miss ratio to Warner Brothers, but the hits are […]