WORLDWIDE STUDIO SCORECARD.  Here is an updated look at the 2017 film slates by studio. YEAR TO DATE BOX OFFICE. Looking at North American box office, 2017 to date is now +7% above last year and now +15% above the average for this point the past four years ($3.166 billion).  Over the same period, Hollywood films have grossed over $10.7 […]

  OPENINGS:  The weekend’s awful weather is being given the blame for a subpar Christmas holiday box office, but the fact remains that audiences appeared unenthused (or worse) about the new offerings.  PUSS IN BOOTS: THE LAST WISH (DreamWorks Animation/Universal) fared best, with $11.4M for the 3-day weekend, $17.8M with Monday, and $24.6M since its […]

  OPENINGS:  PAUL BLART: MALL COP 2 (MGM/Sony/Columbia) was at the high end of diminished expectations with $24M.  That’s roughly 25% below the $31.8M start for the first Paul Blart, not a surprise considering that the Blart franchise was far from universally beloved.  The question will be whether Blart 2 can have anything like its […]

  OPENINGS:  BULLET TRAIN (Columbia/Sony) opened in line with general predictions at $30.1M, but that’s not the same as a good result.  The film carries around $175M in production/marketing costs, and faces a long track to profitability.  Nor does it appear to be showing particular strength internationally, despite Brad Pitt’s star power and the international […]

WORLDWIDE STUDIO SCORECARD.  Warner Brothers moved back into first place for the year with the release of Focus, although it really is a virtual tie with Universal. Note: the Scorecard has been updated below, flipping The DUFF and McFarland, USA to their correct studios. YEAR TO DATE BOX OFFICE. Looking at North American box office, […]

  OPENINGS:  Considering that it’s based on a series of novels, GOOSEBUMPS (Columbia/Sony) was certainly intended to be the launch of a new franchise for Sony.  It took the weekend in the US with $23.5M and should hold well next week with no new family competition (things get tougher after that with Halloween and The […]

  OPENINGS:  SICARIO: DAY OF THE SOLDADO (Black Label/Columbia/Sony) had a modest $19M start, which was better than the first Sicario‘s $12.1M (in October, after 2 weeks of limited release), but perhaps not by enough to justify the pricetag of opening in the crowded summer marketplace.  (Note that the risk here is Black Label’s, since […]

  OPENINGS:  JUMANJI: THE NEXT LEVEL (Columbia/Sony) successfully rode its strategy of arriving in theatres ahead of The Rise of Skywalker to a $60.1M weekend, far ahead of the $36.2M opening weekend for the last Jumanji (although that had a different release pattern, opening on the Wednesday between that year’s Star Wars installment and Christmas […]