Preliminary numbers at Deadline have the remake of EVIL DEAD (TriStar/Sony/FilmDistrict) on track for a solid weekend win, with $11.5M on Thursday night/Friday and a probable front-loaded weekend in the mid $20Ms. That would put it midway between the January horror launches of Texas Chainsaw Massacre ($21.7M) and Mama ($28.4M), and it’ll probably end […]
OPENINGS: The biggest story of the weekend took place off American shores, as IRON MAN 3 (Disney) topped all expectations to open with a fantastic $195.3M in 42 territories (China and Russia are the notable ones still to come). That’s higher than the $185.1M opening for The Avengers (in 39 territories that didn’t include […]
Based on Friday’s grosses, Weekend #21 of 2013 looks like an outstanding $256 million for the top 12 films, 50-75% above the comparable weekend the past few years. A fairly deep bench of films is currently playing, although don’t count on Hangover III to contribute much in the coming weeks. Opening at 3,658 theaters Friday, Fast […]
The 25th weekend of the year is looking like a very good $217 million for the top 12 films, well above the same weekend the last few years. Opening at over 3,800 4,004 theaters Friday (just above the top 10% of theater counts), Monsters University from Pixar and Disney should average $21,100 per theater for the […]
STUDIO SCORECARD. Another very strong week for Universal (primarily overseas grosses for Despicable Me 2 which were understated in last week’s chart), enough to pass Warner Brothers and move into the #2 spot in terms of worldwide box office. The perennial also-ran Universal finds itself in an odd position: in the upper tier of the worldwide […]
Based on Friday’s grosses, Weekend #31 of 2013 looks like a surprisingly weak $124 million for the top 12 films, down 5% from the average for this weekend the past few years (the first such decline since the weekend of June 7-9 eight weeks ago). Opening at 3,025 theaters Friday, 2 Guns from Universal grossed $10 million Friday […]
Updated international box office chart:
OPENINGS: At $21.4M, PRISONERS (Warners) is exactly where the studio hoped it would be, at the sweet spot that propelled The Town to a $92M total (and Argo, with its Oscar help, to $136M). The question now is whether it can hold on to its momentum against newcomers like Gravity, Captain Phillips, The Fifth Estate […]