WORLDWIDE STUDIO SCORECARD.  Here is an updated look at the 2019 film slates by studio. BOX OFFICE. Looking at North American box office, 2019 is still -5% below last year’s comparable span and still basically even with this point the past four years ($7.601 billion).  Over the same period, Hollywood films have grossed almost […]

WORLDWIDE STUDIO SCORECARD.  Here is an updated look at the 2019 film slates by studios (films entering wide release in the 2019 calendar year), including worldwide box office for those films during 2020. We will begin the track of the 2020 slate soon.   BOX OFFICE. Looking at North American box office, 2020 is now […]

  OPENINGS:  Universal continued to be the main supplier of fresh product to gasping theatres, with both of the weekend’s wide openings.  They will, per the studio’s deals, be available at home in about 3 weeks–an arrangement that looks awfully good for theatres compared to Warners’ new plan to day-and-date releases at home from opening […]

  OPENINGS:  CLIFFORD THE BIG RED DOG (Nickelodeon/Paramount, also on Paramount+) opened on Wednesday and earned $22M over 5 days, $16.4M of it over the weekend.  That’s somewhat above the $13.1M start for Paw Patrol, which was also simultaneously released on Paramount+ and opened on a Friday.  Paw Patrol totaled $40.1M in the US, and […]

  OPENINGS:  WHERE THE CRAWDADS SING (Columbia/Sony) launched with $17M, ahead of (low) expectations, and fueled by an audience of women in the midwest/south.  There’s no direct competition in sight, and it should be able to leg out past $50M in the US, which would be considered a win for the moderately-budgeted production.  Crawdads may […]

>The Hangover Part II Domestic Total estimate has been upgraded to slightly exceed the first Hangover. The Hangover Part II‘s Domestic Total estimate has been upgraded to $285 million, slightly beating the $277 million of Part I.  There are two main reasons for this.  First, the original estimate generated by the ShowBuzzDaily model did not […]

  OPENINGS:  Despite a bounty of new titles, nothing touched the holdover at the top of the weekend box office.  The newcomer with the closest claim to “success” in the US was THE POPE’S EXORCIST (Screen Gems/Sony), with $9.2M.  The horror movie also reported $27.4M in overseas release, which would put it on a road […]

>Two new films open this weekend, a formulaic romantic comedy from director Garry Marshall and an R-rated comedy starring Jonah Hill that looks like it will come and go very quickly.  New Year’s Eve will be #1 this weekend but not at a particularly impressive level.  And none of the Thanksgiving holdovers look to gross […]