OPENINGS:  THE LOST CITY (Paramount) opened at the high end of expectations at $31M, a particularly solid result these days for a movie that skews both female and older (the latter crowd evident in the 2% Friday-to-Saturday rise).  Lost City faces little challenge in its target demo for the next month, so it could […]

Updated international box office chart:

  OPENINGS:  LES MISERABLES (Universal) fell behind DJANGO UNCHAINED (Weinstein/Sony) for the first time on Friday, because Les Miz was up only 3% from Thursday, while Django rose more impressively by 17%.  Both should be around $85M by New Year’s Day.  Conventional wisdom has it that Les Miz will benefit more from Oscar season than Django, […]

  OPENINGS:  The weekend’s tallest dwarf was WAR DOGS (RatPac/Warners) with a soft $14.3M start.  The 12% Saturday drop indicates that word of mouth isn’t great, and early international numbers are weak as well, with $6.5M in 31 markets.  War Dogs cost $125M+ in production and worldwide marketing, and it seems likely to add to […]

Marvel’s The Avengers (distributed by Disney) increased again to $723 million to date overseas (up from $629 million last week), although the growth rate is starting to slow.  United Kingdom continues to lead the way overseas ($64.7 million so far now — up from $48.2 million this time last week).  Mexico remains the second-biggest territory ($50.3 million […]

> There’s not much to add about the weekend grosses that hasn’t been said (see Mitch Metcalf’s round-up report here), so let’s take a look at who, apart from the studios themselves, did and didn’t have a fun weekend: WINNERS Women of THE HELP:  Emma Stone isn’t likely to get Oscar consideration for her performance, […]

WORLDWIDE STUDIO SCORECARD.  Here is an updated look at the 2018 film slates by studio. The studio totals also include 2018 dollars for films released in late 2017. YEAR TO DATE BOX OFFICE. Looking at North American box office, 2018 to date is now +7% above last year and still +12% above the average for this point […]

  How much more humiliating can things get for Warners?  On Friday, according to preliminary numbers at Deadline, THE BOSS (Universal), which isn’t even a high-performing Melissa McCarthy vehicle, beat up both the studio’s superheroes with about $7.5M.  The Boss will likely have trouble sustaining itself over the weekend, but at about $20M+, it will […]