CAPTAIN AMERICA: THE WINTER SOLDIER (Disney) declined about 10% to as much as $34M on Saturday, according to preliminary numbers at Deadline, which should give it a $95M opening weekend, the best April opening ever.  By way of comparison, the previous April record-holder Fast Five dropped 13% on its second day (for a $86.2M […]

Based on Friday’s and Saturday’s grosses, Weekend #2 of 2013 is on pace for $122 million, a touch lower than it appeared yesterday but still up slightly from the same weekend the last few years.  Zero Dark Thirty’s first wide weekend is now looking like $24 million, a few million dollars lower than yesterday’s forecast […]

  WORLDWIDE STUDIO SCORECARD.  Here is an updated look at the 2019 film slates by studio. BOX OFFICE. Looking at North American box office, 2019 is still -5% below last year’s comparable span and still basically even with this point the past four years ($7.601 billion).  Over the same period, Hollywood films have grossed almost […]

> The boxoffice was steady as expected yesterday, virtually everything within 5%, up or down, from where it was on Wednesday.  There were just a couple of exceptions: PARIAH (Focus):  Proved to be scarily front-loaded, down a horrible 55% on its 2d day to an average $2500 in 4 theares. EXTREMELY LOUD AND INCREDIBLY CLOSE […]

  Last week we ran through all the major Hollywood studios–Disney, Warner Bros, Paramount, Sony, 20th Century Fox and Universal–to see how their summers have been going.  Today we’ll take a look at Lionsgate, which is generally considered a “mini-major,” a studio that doesn’t release films with the volume or budget of the majors, but […]

  OPENINGS:  The male 18-34 demo was again at the center of the box office, largely fueling the $23.5M start for JACKASS FOREVER (Paramount), not quite at the level of the last product of the franchise, 2013’s Bad Grandpa, and its $32.1M start, but more than enough to ensure profitability at its low cost point.  […]

  They deleted Massacre from its title, but it’s still mowing down the competition. OPENINGS:  Why does Hollywood make ultraviolent movies?  Because they sell tickets.  TEXAS CHAINSAW (Lionsgate) is overperforming its way to a surprisingly strong weekend win, with $10.2M on its first night.  Horror movies are hugely front-loaded, so it’s unlikely to be higher […]

Despite the horrific murders in Aurora, Colorado at the midnight showing of The Dark Knight Rises, business remained quite strong in the nation’s movie theaters throughout Friday.  The 29th weekend of 2012 is looking like $242 million for the Top 12 films Friday-Sunday, up close to 50% from the multi-year average for this weekend.  Of […]