In line with our Tuesday forecast, the 27th weekend of 2012 is looking like $189 million for the Top 12 films Friday-Sunday, up 29% from this weekend last year and up 24% from the multi-year average for this weekend.          The Amazing Spider-Man from Sony continued with $20.4 million Friday and is headed […]

    The midweek boxoffice path of THE DARK KNIGHT RISES has been oddly up and down.  Compared to the trajectory of The Dark Knight, it’s had a worse Monday, a better Tuesday, a worse Wednesday, and now a better Thursday, as Rises took in an additional $13.2M yesterday for a 7-day total of $225M.  Rises […]

  A lot of product made for a decent weekend total, but none of the new films fared particularly well. OPENINGS:  THE EXPENDABLES 2 (Lionsgate) opened 20% behind its predecessor, when sequels usually open bigger (and then run out of steam faster) than the earlier films.  It’s likely to make only $75-80M in the US, and […]

The weekend now looks like $70 million for the top 12 films, just a shade lower than the estimate yesterday.  The rank order remains the same, with Resident Evil: Retribution opening at #1 ahead of Finding Nemo 3D (although Nemo will outgross Retribution over the course of their theatrical runs).     The ShowbuzzDaily Domestic […]

Updated tracking of overseas box office.  Taken 2 is really starting to pick up steam overseas (up $65 million overseas since last week’s report), while Argo and Sinister open this weekend in the middle of the worldwide pack (with limited overseas prospects).  

  OPENINGS: The weekend belonged to Bond.  James Bond.  SKYFALL (Sony/MGM) had by far the biggest start for any Bond movie in the US, with an estimated $87.8M.  That’s more than $20M ahead of the previous record-holder, Quantum of Solace, and Skyfall will have far better legs than Solace, as shown by its up day […]

  There was no miraculous Saturday save for the weekend’s one pitiful arrival. OPENINGS:  PLAYING FOR KEEPS (FilmDistrict) rose only 11% from Friday to Saturday, and since it’s claiming one of the lower Sunday drops in the Top 10, once the real tickets are counted it may not even hang on to its current $6M […]

  They deleted Massacre from its title, but it’s still mowing down the competition. OPENINGS:  Why does Hollywood make ultraviolent movies?  Because they sell tickets.  TEXAS CHAINSAW (Lionsgate) is overperforming its way to a surprisingly strong weekend win, with $10.2M on its first night.  Horror movies are hugely front-loaded, so it’s unlikely to be higher […]