OPENINGS:  While DUNGEONS & DRAGONS:  HONOR AMONG THIEVES (eOne/Paramount) launched at the upper end of expectations, $38.5M (which included an unusually intense program of preview screenings) was a shaky start for a project with $250M in production/marketing costs and the hope to become a franchise.  It will need to hold up extremely well over the next several […]

The two openers this weekend will be forgotten in several days or weeks, while Oblivion has a good chance of staying at #1 in its second weekend and 42 will be the other holdover still above the significant $10 million weekend mark.  But that’s about it for the box office.  The top 12 films this […]

  OPENINGS:  Following several months of strong showings from the horror genre, PREY FOR THE DEVIL (Lionsgate) arrived at $7M to mop up the Halloween weekend remainder.  That was around the expected result, and considering that Prey was a low-budget effort with little national marketing, it might be enough to set a pace for minimal […]

> Anyone who thinks the boxoffice isn’t in a slump needs a new prescription for bifocals. Note:  since December 24 is a traditionally deadly day at the boxoffice (closed theatres, family plans)  that would make 3-day weekend estimates look even worse than they are, we’ll use 4 day Friday-Monday weekend estimates below. WE BOUGHT A […]

  OPENINGS:  There were no truly wide openings this weekend, but the pandemic horror movie IN THE EARTH (Neon) arrived at the low end of “wide” in 547 theatres and started quietly at $500K. Next weekend’s likely #1 US opening MORTAL KOMBAT (Warners) has reached $19.2M overseas after a $5.7M weekend in 28 territories. HOLDOVERS:  […]

  This weekend was fine… but just wait till next week. OPENINGS:  Polarizing, controversial, dark, revisionist, divisive–and a hit.  NOAH (Paramount/Regency) took in $44M in the US this weekend after a 16% Saturday bump.  That already makes it Darren Aronofsky’s 2d biggest hit after Black Swan.  Of course, it’s also by far his most expensive film, […]

  Expectations were low for the holiday weekend’s expensive new openings, and that’s proving to be accurate.  According to preliminary numbers at Deadline, it was the low-budget THE PURGE:  ELECTION YEAR (Blumhouse/Universal) that led the group on Friday with $13.4M (including $3.6M from Thursday night), better than the $13M opening day for Anarchy, the last […]

  OPENINGS:  Not to throw any cold water on the extremely impressive performance of THE PURGE (Universal), but it’s unlikely that the thriller will slip only 12% on Sunday, as Universal is forecasting, when the next-lowest Sunday estimate in the Top 10 is almost double that.  (The idea seems to be that after a 38% […]