>The monolith that is TRANSFORMERS:  DARK OF THE MOON has started its weekend.  With a combination of 9PM shows (that were supposedly all in 3D) and midnights, reports are that the picture made $13.5M last night.  This is considerably less than the $16M for midnight Transformers 2 shows, although more than the original Transformers ($8.8M […]

And the race begins.  Team Metcalf is off to an early lead in the second annual ShowBuzzDaily Summer Movie Draft, thanks to a big head start from Marvel’s The Avengers (Metcalf’s top pick and the #2 pick overall).  The Avengers came in officially at a resounding $207.4 million for its record-setting domestic opening weekend.  Keep […]

> DreamWorks/Disney’s decision to open the lengthy, serious THE HELP on a Wednesday in mid-August looked like a questionable strategy, but so far it’s paying off:  Deadline reports that its opening day gross is headed for $5.5M, very solid for a mid-week debut.  By way of comparison, Eat Pray Love, also based on a bestseller […]

> Sony is taking an interesting strategy this fall:  with MONEYBALL in release, THE IDES OF MARCH opening on Friday and ANONYMOUS coming on October 28, they’re cornering the market on upscale, wide-release drama until Warner Bros opens J. EDGAR on November 11.  (On that date, Sony will go as downscale as is humanly possible […]

> PARANORMAL ACTIVITY 3 continues Paramount’s license to print money–it’ll soon be in profit even with worldwide marketing costs calculated in.  Yesterday will probably prove to be by far the biggest day of its front-loaded run, but at those prices, who cares? Sometimes it’s not about the marketing–it’s about the movie.  It would be difficult, […]

> NEW YEAR’S EVE (Warner Bros):  So much for that franchise.  New Year’s was expected to have a softer start than Valentine’s Day, which opened on a holiday weekend that included the titular day itself.  But there’s “soft” and then there’s a 65% decline from Valentine’s opening day.  New Year’s will have a longer playing […]

> Behold Liam Neeson, King of January. OPENINGS:  THE GREY (Open Road) will easily take the weekend, albeit at a lower level than prior Neeson early-year thrillers.  Given that this one features killer wolves and hypothermia rather than gunfights and car chases, that’s not unexpected, and the picture should hit a decent profit.  ONE FOR […]

> For anyone who thought the angst over JOHN CARTER‘s boxoffice returns was overstated:  Disney has issued a public statement advising that it expects the film to result in a $200M loss, which will singlehandedly pull the Disney film studio as a whole to a loss of $80-120M for this calendar quarter.  That’s less horrific […]