WORLDWIDE STUDIO SCORECARD. Updated look at 2016 by studio. YEAR TO DATE BOX OFFICE. Looking at North American box office, 2016 to date is now +1% above last year and now +2% above the average for this point the past four years ($3.837 billion). Over the same period, Hollywood films have grossed $10.4 billion worldwide […]
With a marketplace starved of adult comedy after the failure of Bad Santa 2, and the holiday deluge of product not quite here, this weekend is proving to be good timing for the arrival of OFFICE CHRISTMAS PARTY (DreamWorks/Paramount). According to preliminary numbers at Deadline, Office had a $6.7M Friday (including $950K from Thursday night), and depending […]
OPENINGS: It’s still too soon to gauge whether RINGS (Paramount) can creep its way to breakeven with international help (total production/marketing costs are $75M+), but it’s certainly not performing well enough to justify a continuation of the franchise. In the US, its $13M weekend estimate is below the $15M opening of the original US […]
Note: Holdover titles tended to decline less than usual because comparisons include last week’s Easter Sunday. OPENINGS: BORN IN CHINA (Disney) was at the top of an unimpressive group of debuts this weekend with $5.1M, narrowly ahead of the $4.6M for Monkey Kingdom, the last in the studio’s “Disneynature” series of Earth Day wildlife […]
WORLDWIDE STUDIO SCORECARD. Here is an updated look at the 2017 film slates by studio. YEAR TO DATE BOX OFFICE. Looking at North American box office, 2017 to date is still +2% above last year and still +4% above the average for this point the past four years ($5.437 billion). Over the same period, Hollywood films have grossed $15.8 billion […]
WORLDWIDE STUDIO SCORECARD. Here is an updated look at the 2017 film slates by studio. YEAR TO DATE BOX OFFICE. Looking at North American box office, 2017 to date is now down -2% from last year and now +2% above the average for this point the past four years ($7.598 billion). Over the same period, Hollywood films have grossed […]
OPENINGS: Even though THE DISASTER ARTIST (A24) was at just 840 theatres, its $6.4M weekend had no trouble topping its woeful newcomer competition. That total (which may come down a bit in finals, because A24 tends to be optimistic in its Sunday estimates) translated into a $7700 per-theatre weekend average, notably better than the […]
OPENINGS: Disney is the land where dreams come true, but not even their wizards could have imagined the scale of BLACK PANTHER (Marvel/Disney), which has crashed through all expectations–not just as a big-budget action film that exists almost completely in an African universe, but as a solo character superhero debut in general. Current studio […]